{"product_id":"fantastique-interviews-with-sci-fi-horror-fantasy-filmmakers-hardback","title":"FANTASTIQUE: INTERVIEWS WITH SCI-FI, HORROR \u0026 FANTASY FILMMAKERS (hardback)","description":"\u003cstyle\u003e\u003c!--\n\/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:0 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:1;\n\tmso-generic-font-family:roman;\n\tmso-font-format:other;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 0 0 0 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1073786111 1 0 415 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.0in 1.0in 1.0in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none; margin: 0in 81.0pt 10.0pt 0in;\"\u003e\u003cspan style=\"font-style: italic;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003e\u003cspan style=\"color: #000000; font-family: Helvetica; font-size: 12px; font-variant-caps: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -moz-text-size-adjust: auto; -webkit-text-stroke-width: 0px; display: inline !important; float: none;\"\u003eHonorable Mention for the 2017 Rondo Award\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none; margin: 0in 81.0pt 10.0pt 0in;\"\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003eThe stories behind some of cinema's great movies by the people who made them. Here, in their own words, are insights, reminiscences and candid comments by the directors (and, occasionally, stars) of films as diverse as \u003ci\u003eThe Exorcist\u003c\/i\u003e, \u003ci\u003eMen in Black\u003c\/i\u003e, \u003ci\u003eSleepy Hollow \u003c\/i\u003eand \u003ci\u003eTwelve Monkeys\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none; margin: 0in 81.0pt 10.0pt 0in;\"\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003eThe line-up is truly stellar. William Friedkin rubs shoulders with Barry Sonnenfeld and Will Smith. Tim Burton and Terry Gilliam recall the creation of their individual and unique projects. John Carpenter looks back at \u003ci\u003eThe Thing\u003c\/i\u003e, once misunderstood but now lauded as a masterpiece. Zombie king George A. Romero retraces the corpse-strewn road that led to his return to movies with \u003ci\u003eLand of the Dead\u003c\/i\u003e. Quentin Tarantino talks passionately about the 'Grindhouse' experiment of \u003ci\u003eDeath Proof\u003c\/i\u003e. And acclaimed newcomer Ben Wheatley, hailed as the savior of new British horror, reveals the background to \u003ci\u003eKill List\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none; margin: 0in 81.0pt 10.0pt 0in;\"\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003eJust some of the filmmakers who have made a dent in the genre of horror, sci-fi and fantasy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none; margin: 0in 81.0pt 10.0pt 0in;\"\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003eTONY EARNSHAW has interviewed hundreds of film personalities while writing for such diverse publications as \u003ci\u003eFangoria\u003c\/i\u003e, \u003ci\u003eCinema Reiro\u003c\/i\u003e, \u003ci\u003eSight \u0026amp; Sound\u003c\/i\u003e, \u003ci\u003eDiabolique\u003c\/i\u003e, \u003ci\u003eStarburst\u003c\/i\u003e, \u003ci\u003eFilm Review\u003c\/i\u003e, \u003ci\u003eLittle Shoppe of Horrors \u003c\/i\u003eand \u003ci\u003eScarlet Street\u003c\/i\u003e. He is the author of \u003ci\u003eAn Actor and a Rare One -- Peter Cushing as Sherlock Holmes\u003c\/i\u003e, \u003ci\u003eBeating the Devil -- The Making of Night of the Demon\u003c\/i\u003e, \u003ci\u003eMade in Yorkshire \u003c\/i\u003e(with Jim Moran), \u003ci\u003eThe Christmas Ghost Stories of Lawrence Gordon Clark \u003c\/i\u003e(Ed.), \u003ci\u003eStudies in the Horror Film: Tobe Hooper's Salem's Lot \u003c\/i\u003e(Ed.) and \u003ci\u003eUnder Milk Wood Revisited: The Wales of Dylan Thomas \u003c\/i\u003e(with Mark Davis). His debut piece of horror fiction, 'Flies', appeared in \u003ci\u003eThe Eleventh Black Book of Horror\u003c\/i\u003e, published by Mortbury Press in 2015.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none; margin: 0in 81.0pt 10.0pt 0in;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"width: 120px; height: 240px; display: none !important;\" src=\"\/\/ws-na.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822\u0026amp;OneJS=1\u0026amp;Operation=GetAdHtml\u0026amp;MarketPlace=US\u0026amp;source=ac\u0026amp;ref=qf_sp_asin_til\u0026amp;ad_type=product_link\u0026amp;tracking_id=bmmedia0b-20\u0026amp;marketplace=amazon\u0026amp;region=US\u0026amp;placement=1593939450\u0026amp;asins=1593939450\u0026amp;linkId=e02409b75451a2ef52d83f4cb72490ab\u0026amp;show_border=true\u0026amp;link_opens_in_new_window=true\u0026amp;price_color=333333\u0026amp;title_color=0066c0\u0026amp;bg_color=ffffff\" hidden=\"\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" frameborder=\"0\"\u003e\n    \u003c\/iframe\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none; margin: 0in 81.0pt 10.0pt 0in;\"\u003e\u003cspan style=\"font-style: italic;\"\u003eReview from ImpactOnline.co\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none; margin: 0in 81.0pt 10.0pt 0in;\"\u003e\u003cspan style=\"font-style: italic;\"\u003eReview from Starburst Magazine\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none; margin: 0in 81.0pt 10.0pt 0in;\"\u003e\u003cspan style=\"font-style: italic;\"\u003eArticle from SFCrowsNest.org\u003cspan style=\"font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none; margin: 0in 81.0pt 10.0pt 0in;\"\u003e\u003cspan style=\"font-style: italic;\"\u003eArticle in The Examiner\u003cspan style=\"font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none; margin: 0in 81.0pt 10.0pt 0in;\"\u003e\u003cspan style=\"font-style: italic;\"\u003eArticle from CinemaRetro.com\u003cspan style=\"font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none; margin: 0in 81.0pt 10.0pt 0in;\"\u003e\u003cspan style=\"font-style: italic;\"\u003eReview from GingerNutsofHorror.com\u003cspan style=\"font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none; margin: 0in 81.0pt 10.0pt 0in;\"\u003e\u003cspan style=\"font-style: italic;\"\u003eInterview on Hannah's Bookshelf radio show\u003cspan style=\"font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none; margin: 0in 81.0pt 10.0pt 0in;\"\u003e\u003cspan style=\"font-style: italic;\"\u003eArticle in the Bradford (U.K.) Telegraph \u0026amp; Argus\u003cspan style=\"font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: Calibri;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":49491754549507,"sku":"vqd1787291565279","price":29.48,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/fantastique-interviews-with-sci-fi-horror-fantasy-filmmakers-hardback_1.jpg?v=1787291570","url":"https:\/\/trendpulseboutique.shop\/products\/fantastique-interviews-with-sci-fi-horror-fantasy-filmmakers-hardback","provider":"My Store","version":"1.0","type":"link"}