{"title":"New in","description":"\u003cp\u003eBrowse our New in collection. Free Shipping.\u003c\/p\u003e","products":[{"product_id":"stainless-steel-butter-slicer","title":"Stainless Steel Butter Slicer","description":"\u003cp\u003eStainless Steel Butter Slicer\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeasures 2.75-inches by one half-inch by 8-inches.\u003c\/li\u003e\n\u003cli\u003eYou won't know how you lived without this time saving invention.\u003c\/li\u003e\n\u003cli\u003eQuickly slice perfect pats of butter - ideal for individual servings or for preparing butter for pastry doughs.\u003c\/li\u003e\n\u003cli\u003eMade of durable 18-8 stainless steel.\u003c\/li\u003e\n\u003cli\u003eDishwasher safe. Place securely in dishwasher for easy cleaning.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RSVP","offers":[{"title":"Default Title","offer_id":49491752976643,"sku":"rqg1787291529491","price":8.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/stainless-steel-butter-slicer_1.jpg?v=1787291534"},{"product_id":"the-leonard-reed-story-brains-as-well-as-feet-hardcover-edition-by-bill-reed","title":"THE LEONARD REED STORY: BRAINS AS WELL AS FEET (HARDCOVER EDITION) by Bill Reed","description":"\u003cp\u003eLegendary man-of-many-faces Leonard Reed and historic Black show business come alive through the eyes of someone who saw it all. From beginnings in medicine shows, Al Capone, speakeasies, Vaudeville, on up through The Cotton Club, The Apollo Theater, TV, and his professional partnership with boxing great Joe Louis, Reed was—in his own words—“too Black to be White, and too White to be Black.” His behind-the-scenes struggles through theatre’s most celebrated haunts are told through no-holds-barred interviews, rich research, and more than fifty rare illustrations that capture the glamour and excitement of the Golden Age of show biz and African-American golf. \u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eAbout the author:\u003c\/span\u003e Bill Reed is a journalist and writer, whose articles on show business, the Arts, and popular music have appeared in such publications as \u003ci\u003eRolling Stone\u003c\/i\u003e, the \u003ci\u003eSan Francisco Examiner,\u003c\/i\u003e and \u003ci\u003eInternational Documentary\u003c\/i\u003e. His published books include \u003ci\u003eRock on Film\u003c\/i\u003e and \u003ci\u003eHot from Harlem\u003c\/i\u003e. He is also a producer of Jazz recordings for SSJ Records (Japan).\u003c\/p\u003e\r\n\u003cp\u003e\"I knew Leonard Reed very well, and I want to compliment Bill Reed on doing such a stellar job on this book and making Leonard come to life in all the great stories of his life.\"\u003cbr\u003e\u003cspan style=\"font-style: italic;\"\u003e-- Rusty Frank, the hovering guru of tap dancing\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eOr buy from Amazon:\u003cbr\u003e\u003c\/p\u003e \u003ciframe style=\"width:120px;height:240px;\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" frameborder=\"0\" src=\"\/\/ws-na.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822\u0026amp;OneJS=1\u0026amp;Operation=GetAdHtml\u0026amp;MarketPlace=US\u0026amp;source=ac\u0026amp;ref=qf_sp_asin_til\u0026amp;ad_type=product_link\u0026amp;tracking_id=bmmedia0b-20\u0026amp;marketplace=amazon\u0026amp;region=US\u0026amp;placement=1593938152\u0026amp;asins=1593938152\u0026amp;linkId=929a2d16a1a4f76cf06a5959f801d4a2\u0026amp;show_border=false\u0026amp;link_opens_in_new_window=false\u0026amp;price_color=333333\u0026amp;title_color=0066c0\u0026amp;bg_color=ffffff\"\u003e\r\n    \u003c\/iframe\u003e","brand":"BearManor Digital","offers":[{"title":"Audiobook (same price)","offer_id":49491753009411,"sku":"wbv1787291530356","price":23.07,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/the-leonard-reed-story-brains-as-well-as-feet-hardcover-edition-by-bill-reed_1.jpg?v=1787291535"},{"product_id":"beaver-puffs","title":"Beaver Puffs","description":"\u003cp style=\"margin-top:0;\"\u003e\u003cstrong\u003eDas macht Deinen Bogen noch leiser!\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eBeaver Puffs sind optisch ansprechende Sehnengeräuschdämpfer aus wasserabweisendem Biberfell. Diese leistungsstarken Dämpfer schlucken jedes Sehnengeräusch und werden weltweit von vielen Bogenschützen eingesetzt.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProdukteigenschaften auf einen Blick:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eInhalt: 1 Paar Sehnengeräuschdämpfer\u003c\/li\u003e\n\u003cli\u003eMaterial: Biberfell\u003c\/li\u003e\n\u003cli\u003eZubehör: Montageanleitung\u003c\/li\u003e\n\u003cli\u003eQualität: Made in Europe\u003c\/li\u003e\n\u003c\/ul\u003eMontageanleitung downloaden","brand":"Bearpaw Products","offers":[{"title":"Default Title","offer_id":49491753599235,"sku":"obj1787291542783","price":4.04,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/beaver-puffs_1.png?v=1787291548"},{"product_id":"lemon-salt-pepper-shaker-set","title":"Lemon Salt \u0026 Pepper shaker set","description":"Lemon Salt \u0026amp; Pepper shaker set : 5\" X 3\" ceramic","brand":"Creative Sourcing Group, Inc.","offers":[{"title":"Default Title","offer_id":49491753664771,"sku":"pzu1787291544636","price":4.42,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/lemon-salt-pepper-shaker-set_1.jpg?v=1787291550"},{"product_id":"you-are-my-sunshine-photo-frame","title":"You Are My Sunshine Photo Frame","description":"You Are My Sunshine Photo Frame \u003cbr\u003eHolds a 4\" x 6\" photo\u003cbr\u003eWooden frame measures 10\"L x 8\"H","brand":"Life Song Milestones","offers":[{"title":"Default Title","offer_id":49491753697539,"sku":"voz1787291546949","price":13.42,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/you-are-my-sunshine-photo-frame_1.jpg?v=1787291552"},{"product_id":"lesunja-pin-silver-porsche-engraving","title":"Lesunja Pin Silver Porsche Engraving","description":"\u003cp\u003eElevate your style game with the Lesunja Pin Silver Porsche Engraving. Handcrafted in polished 925 silver, it features a stunning Porsche engraving on the front and a sleek matte finish on the back. With measurements of 18mm in length, 9mm in width, and a slim 1.1mm height, this pin is the perfect size to add a touch of luxury to any outfit. Plus, the high-quality materials make it a durable and lasting accessory. So whether you're dressing up for a night out or looking to add some flair to your everyday look, this pin is sure to elevate your style and make a statement. Don't settle for ordinary, stand out with the Lesunja Pin Silver Porsche Engraving.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePin in polished 925 silver, engraved with a Porsche. Circle matt reverse.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eLength: 18mm Width: 9mm Height: 1.1mm\u003c\/strong\u003e\u003c\/p\u003e","brand":"Lesunja Fine Jewellery","offers":[{"title":"Default Title","offer_id":49491753730307,"sku":"dem1787291547988","price":182.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/lesunja-pin-silver-porsche-engraving_1.jpg?v=1787291553"},{"product_id":"my-delicous-life-with-paula-deen-a-memoir-by-michael-groover-softback","title":"My Delicous Life with Paula Deen : A memoir by Michael Groover (softback)","description":"My Delicious Life with Paula Deen: A memoir by Michael Groover\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eMore than 200 pages\u003c\/li\u003e\n\u003cli\u003eThe highly visible “Mr.\u003cspan data-mce-fragment=\"1\"\u003e Paula Deen”: Michael Groover has his own adoring fans, who have gotten to know him from Paula’s shows, books, and personal appearances. Now, five years into their romantic marriage, fans are clamoring for more about Michael and his everyday life with Paula. Michael has his own line of coffees and is poised to have additional products released soon..\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e A compelling life story: Michael will share stories of his life from before and after meeting Paula, from his quintessentially southern childhood to his work as a tugboat captain, raising his children as a single dad, to the pleasures and challenges of marrying one of the nation’s biggest celebrities. .\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e Delicious recipes: Michael is pretty good in the kitchen himself, and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMy Delicious Life with Paula Deen\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e will feature some of his favorites, such as Captain’s Deviled Crabs and Blue Water Banana Pudding.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Simon \u0026 Schuster","offers":[{"title":"Default Title","offer_id":49491753828611,"sku":"qeh1787291550667","price":9.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/my-delicous-life-with-paula-deen-a-memoir-by-michael-groover-softback_1.jpg?v=1787291556"},{"product_id":"scripts-from-the-crypt-bride-of-the-gorilla-hardback","title":"SCRIPTS FROM THE CRYPT: BRIDE OF THE GORILLA (hardback)","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003cstyle\u003e\n\u003c!--\n \/* Font Definitions *\/\n@font-face\n\t{font-family:\"ＭＳ 明朝\";\n\tmso-font-charset:78;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:1 0 16778247 0 131072 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-fareast-font-family:\"ＭＳ 明朝\";\n\tmso-fareast-theme-font:minor-fareast;\n\tmso-bidi-font-family:\"Times New Roman\";}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.0in 1.0in 1.0in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\n\u003c\/style\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003eOn a South American rubber plantation stands the home of\r\nKlaas Van Gelder—a house whose claim to fame is murder. Barney the foreman,\r\nbeguiled by Van Gelder’s beautiful young wife Dina, pushed his employer into\r\nthe afterlife, took Dina as his bride and made himself master of Van Gelder\r\nManor. But a witch-like servant\u003cspan style=\"mso-spacerun: yes\"\u003e \r\n\u003c\/span\u003egives him a dose of jungle justice: She places a curse on him so that he\r\ntransforms by night into the deadliest of jungle demons, \u003cb style=\"mso-bidi-font-weight:\nnormal\"\u003e\u003ci style=\"mso-bidi-font-style:normal\"\u003ethe succarath.\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\"\u003eCurt Siodmak, creator of \u003ci style=\"mso-bidi-font-style:normal\"\u003eThe\r\nWolf Man\u003c\/i\u003e and \u003ci style=\"mso-bidi-font-style:normal\"\u003eDonovan’s Brain\u003c\/i\u003e,\r\ndevised this outlandish monster melodrama, basically an exotic remake of \u003ci style=\"mso-bidi-font-style:normal\"\u003eThe Wolf Man\u003c\/i\u003e, co-starring the Wolf Man\r\nhimself, Lon Chaney. The Fabulous Fifties’ first horror hit, it rates deluxe \u003cb style=\"mso-bidi-font-weight:normal\"\u003eScripts from the Crypt\u003c\/b\u003e treatment: a\r\n“Making Of” article, a tribute to Siodmak, detailed release information, an\r\nessay on the music score, an interview with producer Herman Cohen, a Lon Chaney\r\nTimeline, Production Code correspondence, script, pressbook and more.\u003c\/p\u003e\u003chr\u003e\u003cstyle\u003e\u003c!--\n \/* Font Definitions *\/\n@font-face\n\t{font-family:Cambria;\n\tpanose-1:2 4 5 3 5 4 6 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:\"Times New Roman\";\n\tmso-ascii-font-family:Cambria;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Cambria;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Cambria;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\na:link, span.MsoHyperlink\n\t{color:blue;\n\ttext-decoration:underline;\n\ttext-underline:single;}\na:visited, span.MsoHyperlinkFollowed\n\t{mso-style-noshow:yes;\n\tcolor:purple;\n\ttext-decoration:underline;\n\ttext-underline:single;}\n@page Section1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.0in 1.0in 1.0in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.Section1\n\t{page:Section1;}\n--\u003e\u003c\/style\u003e\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style='font-family:\"Times New Roman\"'\u003eFrom John\r\nMcElwee’s Greenbriar Picture Shows\u003cbr\u003e\r\n\u003c\/span\u003e\u003c\/b\u003e\u003cspan style='font-family:\"Times New Roman\"'\u003ehttp:\/\/greenbriarpictureshows.blogspot.com\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan style='font-family:\"Times New Roman\"'\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan style='font-family:\"Times New Roman\"'\u003eThis third entry in Tom Weaver's \"Scripts From The Crypt\" series\r\n(previous two being The Hideous Sun Demon and The Indestructible Man), delves\r\ndeep into 1951's Bride Of The Gorilla, a Realart jungle horror you'd not dream\r\nwould inspire a book, let alone one so irresistible as what genre historian\r\nWeaver turns master hand to. He's gathered a blue ribbon panel of experts to\r\nflavor behind-scenes telling of a misbegot chiller sold variously as Shocking,\r\nDaring, Primitive, and Passionate (to each please add exclamation points, as\r\ndoes ad at left). Any chapter of this book would merit purchase price, and\r\nthere are over a dozen of them. I attended weekend-long wedding festivities to\r\naccompany of GF Ann plus Bride Of The Gorilla, the book enjoyed during hotel\r\nbar sequesters fueled by whiskey sours and passages shared with Ann (her intro\r\nto sordid details of the Barbara Payton-Franchot Tone-Tom Neal dustup). Fellow\r\ntipplers noting the book's lurid cover and my rapt absorption (w\/frequent\r\nrecites) must have wondered what group home I had escaped from.\u003cbr style=\"mso-special-character:line-break\"\u003e\r\n\u003cbr style=\"mso-special-character:line-break\"\u003e\r\n\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style='font-family:\"Times New Roman\"'\u003eHere are B Of\r\nThe G highlights and reasons GPS readership will savor this book: 1 --- an\r\nintro by John Landis, ace director and lifelong chill enthusiast ... 2 ---\r\nInterviews as only Tom Weaver can conduct them, w\/ eye-witness accounts of the\r\nfilm's production, as well as Weaver's close analysis re the latter, his\r\nhistory of Realart, producing Broder brothers, appreciation of Herman Cohen\r\n(getting his start here), and 3 --- dissect of once-in-a-lifetime cast Barbara\r\nPayton, Lon Chaney, Raymond Burr, Tom Conway, plus gorilla suitors and\r\npulse-quickening F. Tone v. T. Neal. To this add Scott MacQueen's years-later\r\nvisit with Bride director Curt Siodmak, covered in fascinating detail (with\r\nphotos). There's \"Fun Facts\" from Weaver throughout, he and Greg Mank\r\ntopping themselves with a \"Lon Chaney Jr. Timeline\" that left me\r\nagape over reams of revelation (and me thinking all this time that I knew my\r\nChaney). If you care at all about horror legends, backstage peeps, underbelly\r\nprobe, interviewee candor served raw (Weaver sure knows how to peel back scabs\r\nof memory), all making pages turn sans pause (you'll curse meals and sleep for\r\ntime they take from this).  Weaver's Scripts\/Crypt series is a winning\r\nconcept, with each setting a new bar. I'm panting already for the author's\r\nnext.\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cb\u003e\u003cbr\u003e\r\nFrom dvdtalk.com:\u003c\/b\u003e\u003cbr\u003e\r\n\u003cbr\u003e\r\nI have a book review today. It's Tom Weaver's Scripts from the Crypt: Bride of\r\nthe Gorilla, the third volume in the \"Tom Weaver presents\" collection\r\nafter The Hideous Sun Demon and The Indestructible Man. None of these movies\r\nmade Sight \u0026amp; Sound's top 100 list, but that's not the point. Weaver and Co.\r\nhave been proving for going on forty years now that readers have an insatiable\r\nappetite for this stratum of film production.\u003cbr\u003e\r\n\u003cbr\u003e\r\nBride of the Gorilla is not the autobio of Jane Goodall, that's Gorillas that I\r\nMiss. It's a misbegotten but fascinating 1951 jungle picture starring Lon\r\nChaney, Raymond Burr and the notorious Barbara Payton. This collector's book\r\nembellishes a full reprint of writer-director Curt Siodmak's original shooting\r\nscript with everything relevant to the subject Tom Weaver can get his hands on,\r\nstarting with a funny but thoughtful John Landis intro about the appeal of\r\nGorilla-suit movies.\u003cbr\u003e\r\n\u003cbr\u003e\r\nAs one would expect with Weaver, the production history and star bio\r\nbackgrounds are all annotated with hard sources. When you quote this book for\r\nyour Master's Thesis, \"Simian Semiology in the Semi-Tropics,\" you can\r\nrest assured the research is solid. Weaver even critiques the sources of some\r\nof the info! You will know everything humanly possible about the company that\r\nfilmed and distributed Bride of the Gorilla. This picture played everywhere,\r\nand likely made Jack Broder rich.\u003cbr\u003e\r\n\u003cbr\u003e\r\nWeaver brings out every strange detail in a script that appears to have been\r\nwritten with spare parts left over from Curt Siodmak's The Wolf Man. The\r\nprominent sidebar investigation delves into the various legends floating around\r\nthe film's actors. Raymond Burr handled the problem of his sexual identity vs.\r\nhis public life extremely well, it would seem. Much of the text looks for facts\r\nand opinions about Lon Chaney at this time in his career; the overall verdict\r\nfor Lon is pretty positive. But star Barbara Payton's life was overshadowed by\r\nseamy scandal from this point forward. Weaver digs up every career-killing\r\narrest notice and mocking trade paper column. Telling Payton's story also gets\r\nus into the lives of big star Franchot Tone and not-so-famous actor Tom Neal,\r\nwho deep-sixed his Hollywood future with a combo of booze, fisticuffs and\r\nBarbara. I was initially put off with the cruel attitude Weaver takes toward\r\nPayton, but even the few kind words said about her by others aren't very\r\nforgiving. A sexual predator and a serious bad news blonde, Payton suffered\r\nperhaps the worst downfall of any actress that performed in big movies with big\r\nstars. This all-factual account doesn't pull any punches.\u003cbr\u003e\r\n\u003cbr\u003e\r\nIn addition to David Schecter's essay on composer Raoul Kraushaar (from which I\r\nlearned interesting facts about the score to Invaders from Mars), writers Greg\r\nMank, Scott MacQueen, Dr. Robert J. Kiss and Frank J. Dello Stritto offer\r\nanalyses of the film and reminiscences of the actors and director Siodmak.\r\nWeaver interviews Tom Neal Jr., actor William Phipps and production assistant\r\nHerman Cohen, whose duties included minding producer Broder's children. Weaver\r\nhas once again located every known fact about a movie that has suddenly become\r\na lot more interesting -- I'll have to pull out the old DVD now. Holding this\r\nbig yellow book (the softcover edition), I'm thinking it's the perfect thing to\r\nset out on the coffee table when relatives come over. They'll know better than\r\nto make small talk with me, by golly.\u003c\/span\u003e\u003c\/p\u003e\u003chr\u003e\u003cspan style='font-family: \"Times New Roman\";'\u003e\"Ditto for Script from the Crypt No. 3: Bride of the Gorilla, which focuses equally obsessively on Curt Siodmak's 1951 exercise in cross-species romance, likewise featuring Lon Chaney, along with a pre-Perry Mason Raymond Burr and tragically doomed starlet Barbara Payton. Among the book's profuse contents are Siodmak's complete script, an Introduction by Bride fan John Landis, Scott MacQueen's article \"Siodmak's Brain\"—a fascinating portrait of the filmmaker as a semi-embittered nonagenarian living in the woods with his loyal wife and a cat named Caruso—interviews with producer Herman Cohen and actors William Phipps and Tom Neal Jr., a Bride of the Gorilla pressbook and much more. Like Indestructible Man, Bride of the Gorilla contains exhibition historian Robert J. Kiss's complete list of the film's playdates, what features it was teamed up with, and where. The most inspired pairing? No doubt when the pic coupled with Elia Kazan's Tennessee Williams' adaptation A Streetcar Named Desire (!), wherein Kim Hunter plays fragile bride to Marlon Brando's aggro gorilla Stanley Kowalski.\"\u003cbr\u003e\u003cspan style=\"font-style: italic;\"\u003e-- Videoscope\u003c\/span\u003e\u003c\/span\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan style='font-family:\"Times New Roman\"'\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":49491753861379,"sku":"oat1787291550787","price":29.64,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/scripts-from-the-crypt-bride-of-the-gorilla-hardback_1.jpg?v=1787291556"},{"product_id":"phrep-lite-armband-silber-leder-raspberry","title":"Phrep Lite Armband Silber Leder Raspberry","description":"\u003cp\u003eDie Weiterentwicklung unserer klassischen Phreps überzeugt durch ein verschlanktes. einzigartiges Design. Gemacht für alle. die auf schlichtes Understatement setzen.\u003c\/p\u003e","brand":"PAUL HEWITT","offers":[{"title":"17 - 18 cm","offer_id":49491753894147,"sku":"azn1787291551674","price":16.63,"currency_code":"USD","in_stock":true},{"title":"16 - 17 cm","offer_id":49491753926915,"sku":"idb1787291551675","price":16.63,"currency_code":"USD","in_stock":true},{"title":"15 - 16 cm","offer_id":49491753959683,"sku":"qgq1787291551676","price":19.05,"currency_code":"USD","in_stock":true},{"title":"14 - 15 cm","offer_id":49491753992451,"sku":"sss1787291551677","price":19.05,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/phrep-lite-armband-silber-leder-raspberry_1.png?v=1787291557"},{"product_id":"young-arthur-the-magic-sword-and-other-stories-for-the-young-at-heart-e-book-version-by-jon-koons","title":"YOUNG ARTHUR \u0026 THE MAGIC SWORD and Other Stories for the Young at Heart (E-BOOK VERSION) by Jon Koons","description":"\u003cp\u003eYOUNG ARTHUR \u0026amp; THE MAGIC SWORD is adventure, fantasy, mystery, \r\ncomedy, mythology, and a lot more in one splendid collection of all-age \r\nappropriate stories written by noted author, storyteller and actor, Jon \r\nKoons. \r\n\u003cbr\u003e\r\n\u003cbr\u003eThis treasury of sixteen tales includes works previously published \r\nas children’s books and in magazines, as well as new, never before \r\npublished additions—all of which will delight children and adults alike.\r\n Also included is A Chelm Chanukkah, the full length story upon which A \r\nCONFUSED HANUKKAH, Jon’s acclaimed children’s holiday book, published by\r\n Dutton Children’s Books, was based.\r\n\u003cbr\u003e\r\n\u003cbr\u003eThe delightful illustrations, over fifty in all, are as diverse as \r\nthe stories themselves. Each story is brought to life by talented \r\nartists Joe Bevilacqua, Abe Fay, Lorie Kellogg, Irv Koons, Jon Koons, \r\nJosh Koons, Leah Koons, Jaime Perrelli and Janine Waldron in a variety \r\nof mediums and styles—everything from traditional illustrations and \r\npaintings to computer art, cartoons, photographs and even sculpture.\r\n\u003cbr\u003e\r\n\u003cbr\u003eA fully dramatized companion audio book is coming soon from JestMaster Audio.\u003cbr\u003e\r\n\u003cbr\u003ePraise for Jon Koons’ writing:\r\n\u003cbr\u003e\r\n\u003cbr\u003e“The stories about the inhabitants of Chelm have always been dear to\r\n me.  A CONFUSED HANUKKAH is an absolutely charming addition to the \r\nfunny and heartwarming tales of those lovable fools.”\r\n\u003cbr\u003e-LEONARD NIMOY:  Actor, Author and Director\r\n\u003cbr\u003e\r\n\u003cbr\u003e“…making the most of the silliness and slapstick, this book is a \r\nlove letter to every family that resists December's siren song of \r\nassimilation.”\r\n\u003cbr\u003eSTARRED review\r\n\u003cbr\u003e-PUBLISHER’S WEEKLY - September 27, 2004\r\n\u003cbr\u003e\r\n\u003cbr\u003e“Your book is awesome. My kids loved the book, and Jack has asked \r\nfor it to be his bedtime story for two nights in a row!  I shall cherish\r\n my copy.”\r\n\u003cbr\u003e-DAVID FISCHER:  Author Do Curve Balls Really Curve? and other kids\/sports books.\r\n\u003cbr\u003e\r\n\u003cbr\u003e“Jon is a masterful storyteller with an uncanny ability to bring his\r\n boundless imagination to the page in high definition and with a \r\nstunning magical realism.”\r\n\u003cbr\u003e-ARIANE SMITH: Author of the “Enchanted Thyme, the Delicious Adventure” series and “The Peculiar Adventures of Willow B. Star”\u003c\/p\u003e\u003cp\u003e\u003cem\u003e\u003cstrong\u003e(Download will be sent to you by Dropbox link; postage will be refunded to you as soon as possible.) \u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"BearManor Digital","offers":[{"title":"Default Title","offer_id":49491754057987,"sku":"xvg1787291552672","price":2.59,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/young-arthur-the-magic-sword-and-other-stories-for-the-young-at-heart-e-book-ver_1.jpg?v=1787291557"},{"product_id":"nozone-reviews-of-art-cult-and-genre-cinema-2003-2012","title":"Nozone – Reviews of Art, Cult, and Genre Cinema, 2003-2012","description":"\u003cp\u003e\u003cstrong\u003eNozone – Reviews of Art, Cult, and Genre Cinema, 2003-2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eby Tim Lucas\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e442 pages\u003c\/p\u003e\n\u003cp\u003e6x9 size\u003c\/p\u003e\n\u003cp\u003eISBN 9798887714035 paperback\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Erudite, passionate, and thorough”\u003c\/p\u003e\n\u003cp\u003e– Guillermo del Toro\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Tim is the most eloquent and well-researched critic out there… Truly an essential - the pinnacle of his profession”\u003c\/p\u003e\n\u003cp\u003e– Gary Tooze, DVD Beaver\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAs editor and chief critic of Video Watchdog (“The Perfectionist’s Guide to Home Video”), Tim Lucas acquired a Virgil-like reputation as the leading guide to truly underground cinema: those bizarre, elusive but revelatory movies that could then only be found through foreign and subterranean markets or swap meets. With this notoriety in mind, he was approached in 2003 by Sight and Sound, the venerable publication of the British Film Institute, to write a monthly column reviewing the most interesting new video releases not then available for sale within the UK. This column, NoZone, became a monthly feature of the magazine for nearly ten years.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis book collects, updates, and annotates the full run of NoZone columns, while adding one previously unpublished. It is the first in a comprehensive new series from Bear Manor Media collecting the best of Tim Lucas’s 50+ years of film-related writings, and the first such collection to appear in more than 30 years.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTim Lucas has been reviewing films professionally, with a preference for art and exploitation cinema, since the age of 15. His work has appeared in Sight and Sound, Film Comment, Fangoria, Gorezone and numerous other books and magazines, including his own influential Video Watchdog, co-published with his wife Donna from 1990 to 2018. He is the author of the multi-award-winning Mario Bava – All the Colors of the Dark, as well as The Video Watchdog Book and monographs on Videodrome, Spirits of the Dead and Succubus.          \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAn acclaimed novelist as well as the prolific commentator on approximately 200 media discs released worldwide, his achievement has been recognized with more than 20 Rondo Hatton Classic Horror Awards, including induction into the “Monster Kid” Hall of Fame. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cdiv style=\"font-size: 10pt; font-family: arial,helvetica,sans-serif; color: #000000;\"\u003e\n\u003cdiv\u003e\u003cstrong\u003eMidwest Book Shelf BOOK REVIEW:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSynopsis:\u003c\/strong\u003e As editor and chief critic of Video Watchdog (\"The Perfectionist's Guide to Home Video\"), Tim Lucas acquired a national reputation as the leading guide to truly underground cinema: those bizarre, elusive but revelatory movies that could then only be found through foreign and subterranean markets or swap meets.  \u003cspan style=\"font-size: 10pt;\"\u003eWith this notoriety in mind, he was approached in 2003 by Sight and Sound, the venerable publication of the British Film Institute, to write a monthly column reviewing the most interesting new video releases not then available for sale within the UK. This column, NoZone, became a monthly feature of the magazine for nearly ten years. \u003c\/span\u003e\u003cspan style=\"font-size: 10pt;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\"Nozone - Reviews of Art, Cult, and Genre Cinema, 2003-2012\" collects, updates, and annotates the full run of Tim Lucas' NoZone columns, while adding one previously unpublished. This is the first in a comprehensive new series from Bear Manor Media collecting the best of Tim Lucas's 50+ years of film-related writings, and the first such collection to appear in more than 30 years.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong style=\"font-size: 10pt;\"\u003eCritique\u003c\/strong\u003e\u003cspan style=\"font-size: 10pt;\"\u003e: Arranged chronologically from June 2003 to September 2012, \"Nozone - Reviews of Art, Cult, and Genre Cinema, 2003-2012\" is concisely informative, inherently fascinating, and essential reading for film buffs and cinematic history fans. Thoroughly 'film fan friendly' in organization and presentation, \"Nozone - Reviews of Art, Cult, and Genre Cinema, 2003-2012\" is especially and unreservedly recommended pick for personal, professional, community, and college\/university library Cinematic History \u0026amp; Movie Guide collections. It should be noted that \"Nozone - Reviews of Art, Cult, and Genre Cinema, 2003-2012\" is also available in a paperback edition (9798887714035, $37.00).\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv class=\"gmail_quote\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cstrong\u003eForces of Geek's Book Review: \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003ehttps:\/\/forcesofgeek.com\/2024\/05\/nozone-reviews-of-art-cult-and-genre-cinema-2003-2012-review.html\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cstrong\u003eNominated for the 2025 Rondo Award!\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":49491812778243,"sku":"vvt1787292065092","price":26.64,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/nozone-reviews-of-art-cult-and-genre-cinema-2003-2012_1.jpg?v=1787292070"},{"product_id":"shout-at-the-devil-a-jack-shannon-mystery","title":"Shout at the Devil - A Jack Shannon Mystery","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e\u003cstrong\u003eShout at the Devil - A Jack Shannon Mystery\u003c\/strong\u003e\u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eby Dan Bronson\u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e400 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e5 x 8 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e\"Propulsive, atmospheric, spot-on in its period detail,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eShout at the Devil\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e reads like a lost manuscript from\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003ethe Golden Age of L.A. noir.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e--Malcolm Brooks, author of \u003ci\u003ePainted Horses and Cloudmaker\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eHollywood, 1951. Jack Shannon—hobo, rising star, wounded vet, studio publicist—is in exile. Blackballed by the majors for his unauthorized effort to solve the mystery of a sexpot actress' disappearance, he's now a stuntman—a drug-store cowboy working from Tinseltown's Poverty Row, where the budgets are tight and the jobs scarce.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eAs the work dries up, Jack is in danger of losing his home, but salvation arrives in the figure of Karen Scott, a star who needs help as much as Jack needs money. Years ago, she found herself homeless in Hollywood. In her desperation, she agreed to appear in a stag film, and now, someone has mailed her a snippet of that long-forgotten film. She expects a blackmail demand to follow, and she's come to Jack for help. He handled this sort of thing as a publicist at Titanic Pictures, and she's willing to pay him big bugs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eJack has barely begun his investigation when the blackmail demand arrives: $50,000 in exchange for the negative. He reluctantly agrees to handle the pay-off for Karen, but when he arrives at the appointed spot, he finds a dead man seated behind the wheel of a car and is himself knocked out from behind. When he comes to consciousness, he discovers the blackmail money gone, no sign of the negative, and himself the major suspect in the murder.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e\"The very definition of a page-turner\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e—Jameson Parker, recovering actor (\u003ci\u003eSimon and Simon\u003c\/i\u003e), working writer (\u003ci\u003eDancing with the Dead\u003c\/i\u003e)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e https:\/\/retreatsfromoblivion.com\/2025\/10\/04\/book-review-dan-bronson-shout-at-the-devil-william-blick\/\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491812843779,"sku":"scm1787292066678","price":14.2,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491812876547,"sku":"vgh1787292066679","price":19.8,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/shout-at-the-devil---a-jack-shannon-mystery_1.jpg?v=1787292072"},{"product_id":"vuurwerk-fireworks-for-bayan-accordion-ensemble-and-percussion","title":"Vuurwerk (\"Fireworks\") - For Bayan Accordion Ensemble and Percussion","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eVuurwerk (\"Fireworks\") - For Bayan Accordion Ensemble and Percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby John Franceschina\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e52 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e            Inspired by Vincent van Gogh’s 1886 painting, \u003ci\u003eThe Fourteenth of July Celebration\u003c\/i\u003e, \u003ci\u003eVuurwerk\u003c\/i\u003e (“Fireworks”) was commissioned by artist and conductor, Hans Barten, in 2017 to commemorate his appointment as musical director of the Accordeonensemble Opus 2 in Alphen aan den Rijn, Netherlands. The boldly rugged strokes of van Gogh’s painting, depicting the French tricolor red, white, and blue in explosive bursts across the evening sky are evoked musically by harmonic clusters, alternately resolving in random atonalities and lilting melodies that gradually develop into an exhilarating musical fireworks display.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003eJohn Franceschina\u003c\/b\u003e, composer, has created scores for the National Shakespeare Company and the Provincetown Playhouse in New York City, the Mark Taper Forum in Los Angeles, the Coconut Grove Playhouse in Miami, Baltimore's Center Stage, Washington’s Ford's Theatre and the Arena Stage, the Pittsburgh Public Theatre, Cleveland Playhouse, Florida Studio Theatre, Geva Theatre, Syracuse Stage, Papermill Playhouse, Music Theatre Works, and the Moscow Art Theatre, in addition to the Asolo State Theatre in Sarasota, Florida, where he acted as composer-in-residence from 1976 to 1993. His \u003ci\u003eFanfare for the Fiftieth\u003c\/i\u003e was commissioned by Philippe Entremont for the fiftieth anniversary of the New Orleans Symphony Orchestra in 1985; his secular oratorio, \u003ci\u003eHoutebeen\u003c\/i\u003e, for male chorus, string orchestra and accordion ensemble, toured the Netherlands in 2014, and his opera, \u003ci\u003eScenes from the Jungle\u003c\/i\u003e toured the Netherlands in 2019.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"color: black; mso-bidi-font-style: italic;\"\u003eMusic by John Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Titles in this Series)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eRequiem\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Chorus, soloists, accordion ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto voor Saxofoon en Blassensemble\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eVuurwerk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (“Fireworks”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eKynaston; Concert Variations on a Theme by Henry Purcell\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eOroonoko; Rhapsody for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eLeiden Suite\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (Accordion Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJourney to the Center of the Earth; 3 Ballets\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, actors, dancers, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eScenes from the Jungle, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean opera\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Vocal soloists, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eHoutebeen, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean oratorio\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Male chorus, string orchestra, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eJoppenszoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, a cantata for tenor and baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eConcerto Grosso for Blassensemble, Accordion Ensemble, and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003ci\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eCandida: Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491812909315,"sku":"gjh1787292067072","price":14.74,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491812942083,"sku":"qcj1787292067073","price":24.96,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491812974851,"sku":"xjd1787292067074","price":6.08,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/vuurwerk-fireworks---for-bayan-accordion-ensemble-and-percussion_1.jpg?v=1787292072"},{"product_id":"cool-and-strange-music-magazine-the-complete-collection-vol-4-issues-22-28","title":"Cool and Strange Music! Magazine - The Complete Collection, Vol. 4 Issues 22-28","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eCool and Strange Music! Magazine - The Complete Collection, Vol. 4 Issues 22-28\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eDana Countryman\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e464 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eColor\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eBetween the years 1996-2003, Cool and Strange Music! Magazine became a beloved publication that music lovers of the unusual could count on for information about the latest “cool and strange” music releases, exclusive interviews with legendary artists, and in-depth articles that could not be found anywhere else.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eFor the first time, every issue of this legendary magazine has been collected in a four-volume compendium, preserving every single page of each of the 28 issues, including the original ads and illustrations._For many years, collectors have been asking for the magazine to be printed in book form, and finally that day has come.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eThis publication of this book set has been personally supervised by Dana Countryman, the magazine’s founder and editor.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003ehttps:\/\/www.youtube.com\/watch?v=zkilCFvIT9A\u0026amp;authuser=1\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Hardback","offer_id":49491814351107,"sku":"plj1787292096594","price":66.0,"currency_code":"USD","in_stock":true},{"title":"Paperback","offer_id":49491814383875,"sku":"prx1787292096595","price":59.29,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/cool-and-strange-music-magazine---the-complete-collection-vol-4-issues-22-28_1.jpg?v=1787292102"},{"product_id":"cant-stop-dancing","title":"Can’t Stop Dancing","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eCan’t Stop Dancing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby James E Hibbard\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e302 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eI lived in a rugged logging community in the woods of Idaho. I started formal dance training in Boise, Idaho in 1951, at the ripe old age of 8 yrs. You can imagine how well this was received by my logging and construction father and his lumberjack peers. I had no choice: I was hooked on dance and couldn't imagine a life without it. Despite my father's deep protests, my mother fought for me and made it happen....She was my first angel. There have been countless others, dance teachers, schoolteachers, to friends and relatives, they've all supported my career, a career that has spanned dozens of movies, hundreds of tv shows, countless stage productions and decades of teaching. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eI've written my life's story to teach you that anyone can achieve their dreams and that for every one of life's bastards that do their best to thwart your efforts, a beautifully unexpected angel will suddenly appear from nowhere and help you get there.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003eFor years, dance colleagues and Hollywood legends have been after me to tell my life's story, in particular Lesley Evans, Pam Freeman, and Anita Mann. I write this for them, my family, and anyone else who needs an angel whispering in your ear that you can and deserve to have everything you want out of life. All I know is I've worked hard and I never ever gave up! If what I've done and I'm still doing inspires you to pursue your own special way, then I've done my job.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003ehttps:\/\/www.bearmanormedia.com\/blogs\/news\/q-a-with-jimmy-hibbard\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003cspan\u003eJAMES HIBBARD ON “OUR CITY TONIGHT” TV: \u003c\/span\u003e\u003cspan\u003ehttps:\/\/www.youtube.com\/watch?v=_tx_H4SbYC8\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003cspan\u003ehttps:\/\/splashmags.com\/index.php\/2025\/08\/jimmy-hibbard-cant-stop-dancing\/\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491814482179,"sku":"utm1787292098629","price":18.48,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491814514947,"sku":"azu1787292098630","price":28.86,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/cant-stop-dancing_1.jpg?v=1787292104"},{"product_id":"nina-mae-mckinney-at-the-dawn-of-black-hollywood-stardom","title":"Nina Mae McKinney: At the Dawn of Black Hollywood Stardom","description":"\u003cp style=\"margin-bottom: 0in; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos;\"\u003eNina Mae McKinney: At the Dawn of Black Hollywood Stardom\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos;\"\u003eby Dabian T. Witherspoon\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e236 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e6x9 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\" lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\" class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003e“Nina Mae McKinney: At the Dawn of Black Hollywood Stardom” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eby Dabian T. Witherspoon, Ph.D.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: Arial, sans-serif; font-size: 10pt;\"\u003eNina Mae McKinney (1912–1967) became Hollywood’s first Black star when she made her remarkable debut in MGM’s “Hallelujah” in 1929. The multitalented actor, singer, and dancer was also one of the first Black actors whom white and Black movie audiences considered beautiful. Sadly, Nina Mae was denied an opportunity to tell her story, and her legacy has been underappreciated. “Nina Mae McKinney: At the Dawn of Black Hollywood Stardom” by Dabian T. Witherspoon attempts to reveal Nina Mae McKinney’s story as thoroughly as possible, shedding light on the daunting obstacles of her career and personal life while seeking to establish her rightful place in history. The book’s important purpose is summarized in its “Introduction” and on the backside of its beautiful cover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003e“Nina Mae McKinney: At the Dawn of Black Hollywood Stardom” is more than a biography. It began as Dabian’s Ph.D. dissertation and is the most thoroughly researched work on Nina Mae McKinney. This is demonstrated by its “Table of Contents” and its extensive “Works Cited” section (more than 400 sources), including genealogical research and primary sources not previously used by other writers. This book covers Nina Mae’s life more fully than any other work, and it provides documentation to correct the misinformation and disparaging information about Nina Mae that has been repeated orally or found in online sources and earlier publications. It also tries to fill in the gaps by raising questions and analyzing related topics and similar historical figures to make sense of the world Nina Mae lived in (and to explain why things were the way they were).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eCONTENTS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eIntroduction\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eChapter One: Southern Background\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eChapter Two: Mechanisms at the Major American Film Studios\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eChapter Three: Overseas Performances\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eChapter Four: Choosing Race Films and Returning to the American Stage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eChapter Five: Personal Struggles and the Press\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eChapter Six: The Groundbreaking Role as Chick in Hallelujah\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eChapter Seven: The First Black Star in Hollywood\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eConclusion: McKinney’s Rightful Place in History\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eWorks Cited\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eAppendix A: Firsts \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eAppendix B: Credited Film Roles\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eAppendix C: Uncredited Film Roles\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eAppendix D: Stage, Theatre, and Club Appearances\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eAppendix E: British Radio and Television Performances\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eNotes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eIndex\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eABOUT THE AUTHOR\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Arial',sans-serif;\"\u003eDabian T. Witherspoon holds an M.A. in African American World Studies from the University of Iowa and a Ph.D. in English from Morgan State University, where his concentrations included film studies and screenwriting. Dabian has conducted Black history presentations for schools, churches, and community organizations. He has taught history, film studies, composition, and literature at the high school and college levels. He has also taught drawing classes for children, tutored people of all ages, and worked as a screenplay analyst, copy editor, and project manager (book publishing). \u003c\/span\u003e\u003cspan style=\"color: black; font-size: 12pt;\"\u003eFor booking and other information, please visit www.dabianwitherspoon.com.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\" lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491814547715,"sku":"cfj1787292098659","price":17.16,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491814580483,"sku":"bit1787292098660","price":26.28,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/nina-mae-mckinney-at-the-dawn-of-black-hollywood-stardom_1.jpg?v=1787292104"},{"product_id":"little-shoppe-of-horrors-issue-26","title":"Little Shoppe of Horrors issue #26","description":"\u003cp\u003e\u003cstrong\u003eLittle Shoppe of Horrors issue #26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhile 1971 saw 10 films made by Hammer, it was also the death knell of the company as they flooded the market with horror movies.  Yet during that period, they also made some of their better productions – and certainly stood out from the crowd of cheapies that were coming out.  Such as HANDS OF THE RIPPER.  An intelligent, and very violent for its time, film.  Wonderfully acted and directed, and one of the most beautiful looking Hammer was ever to make.  We take you inside the production and the people involved.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFeaturing –\u003c\/p\u003e\n\u003cp\u003e     “The Making of HANDS OF THE RIPPER” – by Bruce G. Hallenbeck\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e     Interviews with:\u003c\/p\u003e\n\u003cp\u003e        Angharad Rees (Anna), the star of the movie. Conducted by Alan Wightman.\u003c\/p\u003e\n\u003cp\u003e        Peter Sasdy (Director) Conducted by David Williams.\u003c\/p\u003e\n\u003cp\u003e        Jane Merrow (Laura) Conducted by B.P. Dunne.\u003c\/p\u003e\n\u003cp\u003e        Christopher Gunning (Music Composer) Conducted by Randall Larson.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e     “Blood on the Floor at Hammer Films” – Michael Carreras remembers 1971.  In conversation with Denis Meikle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“As Savage as Any Wild Beast – The Ripper Cuts” – by David Taylor.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e     “The Art of Tom Chantrell” – by Simon Greetham.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e     “An Inspector Calls … Alan Wheatley” – Career Interview and Article by David Williams.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e     “Hammer and the Ripper” – by Denis Meikle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e     “A History of Horror Film Fanzines” – the story of PHOTON – by Richard Klemensen with Mark Frank.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e     “An Actor of Imagination” – interview with Freddie Jones.  Conducted by Constantine Nasr.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e     “Visual Tribute to Ingrid Pitt”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e     Plus all our regular features – Letters to LSoH – Fanzine and Book Reviews – Viewable Hammer – Hammer News – Hundreds of rare photos.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFront Cover by Mark Maddox.  Back Cover by Bruce Timm.\u003c\/p\u003e\n\u003cp\u003eInterior Covers by Mark Maddox and Jim Salvati.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOriginal Artwork by: Neil Vokes, Adrian Salmon, Dan Gallagher, Jr., Bruce Timm, Frank Dietz, Shana Bilbrey, Murad Gumen, Shane Ivan Oakley and Mike Schneider.\u003cbr\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":49491814646019,"sku":"pvc1787292101163","price":5.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/little-shoppe-of-horrors-issue-26_1.jpg?v=1787292106"},{"product_id":"drop-dead-twice","title":"Drop Dead Twice","description":"\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri;\"\u003eDrop Dead Twice\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri;\"\u003eby Mark Thomas McGee\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri;\"\u003e234 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri;\"\u003e5.5x8.5 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri; font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri; font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-style: italic;\"\u003eFrom The Author of\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-style: italic;\"\u003eBULLETS ARE MY BUSINESS\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-style: italic;\"\u003eDrop Dead Twice\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eThey were but a few steps away from the entrance to the hotel when Annie was stopped dead in her tracks by a blood-curdling scream. It seemed to be coming from somewhere above them, gaining in volume.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eBefore she could look up, Mike jerked her into the safety of the archway, just ahead of the body that smacked the pavement where she had been standing, one hundred and eighty pounds of solid stock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eAnnie looked at Mike, her expression one of shock and surprise. She took another look at the corpse. It was only when she turned to Mike for the second time that she found her voice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e“Gadzooks!”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003eMark Thomas McGee Iives in Palm Desert, California with his wife Wendy Wright, the love of his life and the inspiration for the Annie O'Grady character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003eMark has written several movie history books including \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eTeenage Thunder, You Won't Believe Your Eyes,\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e biographies of James H. Nicholson, Robert Lippert and Sam Katzman, as well as a number of direct-to-video movies. He is a Vietnam veteran.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003eMcGee will continue to write Mike Lawson mysteries until he drops dead.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003eTwice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003ehttps:\/\/www.midwestbookreview.com\/wbw\/feb_25.htm#MysterySuspense\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003ehttps:\/\/www.bearmanormedia.com\/blogs\/news\/q-a-with-mark-mcgee\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e \u003c\/p\u003e\n\u003cdiv\u003eHere's a review for DROP DEAD TWICE from Steve Latshaw, a filmmaker and historian, currently in charge of the Lone Pine Film Festival.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"It's a masterpiece, deftly combining genres so that it works as a suspenseful, detective adventure and a spectacularly epic, period comedy. It has the detective, mystery and suspense vibe of Raymond Chandler, James Ellroy and Mickey Spillane, uncovers the seamy underbelly of what LA in the 50s was really like, in a clever wrapper that reads like a big budget movie comedy, produced by Hal Roach, written by Stan Laurel and John Cleese, and directed by Blake Edwards.\"\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003ehttps:\/\/www.midwestbookreview.com\/rbw\/mar_25.htm#peteatkinson\n\u003c\/div\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491814678787,"sku":"uhi1787292101079","price":13.4,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491814711555,"sku":"euv1787292101080","price":20.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/drop-dead-twice_1.jpg?v=1787292106"},{"product_id":"bluto-buster-and-the-blob-conversations-with-actors-and-writers-from-hollywood-and-radios-golden-age","title":"Bluto, Buster and The Blob: Conversations with Actors and Writers From Hollywood and Radio’s Golden Age!","description":"\u003cp class=\"MsoNoSpacing\"\u003eBluto, Buster and The Blob: Conversations with Actors and Writers From Hollywood and Radio’s Golden Age!\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Leonard J. Kohl\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e508 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"color: black; mso-ansi-language: EN-IN;\"\u003eBLUTO, BUSTER AND THE BLOB is the first in a series of three volumes of interviews with actors, actresses, directors and cartoon animators primarily from Hollywood's \"Golden Age.\" Old-time radio announcer and actor Jackson Beck also voiced Popeye's greatest adversary originally known as \"Bluto the Terrible\" from the middle 1940s through the late 1950s and created the voice for a very similar character called \"Brutus\" in the early 1960s \u003ci\u003ePopeye\u003c\/i\u003e cartoons for television. All this and more of Jackson Beck's fabulous show business career is covered in several interviews found in this book. Olympic swimmer and actor Buster Crabbe - best known as \"Flash Gordon\" in the classic movie serials from the 1930s talks about his career on television, film and as an Olympic athlete. Actress and writer Kate Phillips tells about her experience in working on the classic sci-fi film, The Blob and her career on stage and screen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"color: black; mso-ansi-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"color: black; mso-ansi-language: EN-IN;\"\u003eA 1978 Sons of the Desert convention in Chicago spotlighted the careers of comedy legends, Stan Laurel and Oliver Hardy. People who worked with and knew Stan and Ollie tell their stories about one of America's greatest comedy teams in the 20th Century on film. Child stars like George \"Spanky\" McFarland and other members of Our Gang (aka The Little Rascals) talk a little about their careers, along with Janet Ann Gallow's memories of Lon Chaney, Jr., Sharyn Moffett remembers Boris Karloff in \u003ci\u003eThe Body Snatcher\u003c\/i\u003e and Jimmy Hunt talks about \u003ci\u003eInvaders from Mars\u003c\/i\u003e!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"color: black; mso-ansi-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"color: black; mso-ansi-language: EN-IN;\"\u003eIf that isn't enough, comedy director Ed Bernds talks about working with The Three Stooges, director Frank Capra and serials with tight-fisted Sam Katzman at Columbia Pictures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"color: black; mso-ansi-language: EN-IN;\"\u003eFuture volumes will contain interviews with Adrian Booth (aka Lorna Gray) who remembers Buster Keaton, The Three Stooges and serial making at Columbia and Republic studios. Classic cartoon animators discuss \u003ci\u003eSnow White, Pinocchio, Gulliver’s Travels, Popeye\u003c\/i\u003e and \u003ci\u003eSuperman\u003c\/i\u003e from the 1930s and '40s. Special effects master Linwood Dunn talks about making serials in Hollywood during the 1920s and touches on his work for \u003ci\u003eKing Kong\u003c\/i\u003e and \u003ci\u003eThe Thing\u003c\/i\u003e. The \"Next Generation\" of animators and special effects artists like Jon McClenahan talks about working on \u003ci\u003eTiny Toon Adventures\u003c\/i\u003e and \u003ci\u003eAnimaniacs\u003c\/i\u003e and Jack Polito remembers his time for Irwin Allen on \u003ci\u003eLost in Space\u003c\/i\u003e!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"color: black; mso-ansi-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"color: black; mso-ansi-language: EN-IN;\"\u003eLeonard Kohl is a freelance writer whose work has appeared in \u003ci\u003eFilmfax, Classic Images, Midnight Marquee, Movie Collector’s World, Scarlet Street, Monster Bash Magazine, The Official Popeye Fanclub News-Magazine\u003c\/i\u003e and other film oriented publications. He is also the author of \u003ci\u003eSinister Serials of Boris Karloff, Bela Lugosi and Lon Chaney, Jr.\u003c\/i\u003e and has contributed to other anthology books, \u003ci\u003eScience Fiction America, Lon Chaney, Jr.\u003c\/i\u003e and the first edition of \u003ci\u003eIt’s Christmas Time at the Movies\u003c\/i\u003e! He now lives in Wisconsin with his wife and son.\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491814809859,"sku":"hzc1787292102618","price":27.36,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491814842627,"sku":"rxn1787292102619","price":37.73,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/bluto-buster-and-the-blob-conversations-with-actors-and-writers-from-hollywood-a_1.jpg?v=1787292108"},{"product_id":"leiden-suite-for-accordion-ensemble","title":"Leiden Suite for Accordion Ensemble","description":"\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003eLeiden Suite for Accordion Ensemble\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003eby John Franceschina\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e52 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e7x10 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Garamond',serif;\"\u003eComposed for the accordion ensemble, Alphen Opus 1 in 2018, the \u003ci\u003eLeiden Suite\u003c\/i\u003e presents a series of musical portraits of Leiden, Netherlands, the composer’s home. Designed to be easily accessible to both performers and audiences, the suite consists of five short movements, each portraying a characteristic experience of the city: \u003ci\u003eBreestraat\u003c\/i\u003e, a busy shopping district and home to the town hall dating back to 1350, is composed as an energetic scherzo whose figures of perpetual motion are continually interrupted by stately tonal clusters evoking the street’s medieval origins. The \u003ci\u003eBurcht\u003c\/i\u003e, one of the oldest surviving castles in the Netherlands, welcomes visitors to view the city from high on its hilltop, inspiring the music of a lyrically reflective ballad. The ascending and descending tonal clusters depicting \u003ci\u003eHortus Botanicus\u003c\/i\u003e, the oldest botanical gardens in the Netherlands, suggests the blossoming and wilting in the cycle of plant life; while an undulating barcarolle provides a musical impression of the rippling traffic along the city’s \u003ci\u003eGrachten\u003c\/i\u003e (canals). The suite ends with another scherzo comically representing the interminable (and often exasperating) presence of \u003ci\u003eFietsen\u003c\/i\u003e (bicycles) on Leiden’s streets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Garamond',serif;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Garamond',serif;\"\u003eJohn Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Garamond',serif;\"\u003e, composer, has created scores for the National Shakespeare Company and the Provincetown Playhouse in New York City, the Mark Taper Forum in Los Angeles, the Coconut Grove Playhouse in Miami, Baltimore's Center Stage, Washington’s Ford's Theatre and the Arena Stage, the Pittsburgh Public Theatre, Cleveland Playhouse, Florida Studio Theatre, Geva Theatre, Syracuse Stage, Papermill Playhouse, Music Theatre Works, and the Moscow Art Theatre, in addition to the Asolo State Theatre in Sarasota, Florida, where he acted as composer-in-residence from 1976 to 1993. His \u003ci\u003eFanfare for the Fiftieth\u003c\/i\u003e was commissioned by Philippe Entremont for the fiftieth anniversary of the New Orleans Symphony Orchestra in 1985; his secular oratorio, \u003ci\u003eHoutebeen\u003c\/i\u003e, for male chorus, string orchestra and accordion ensemble, toured the Netherlands in 2014, and his opera, \u003ci\u003eScenes from the Jungle\u003c\/i\u003e toured the Netherlands in 2019. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-style: italic;\"\u003eMusic by John Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Titles in this Series)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eRequiem\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Chorus, soloists, accordion ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eConcerto voor Saxofoon en Blassensemble\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eVuurwerk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (“Fireworks”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eKynaston; Concert Variations on a Theme by Henry Purcell\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eOroonoko; Rhapsody for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eLeiden Suite\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (Accordion Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eJourney to the Center of the Earth; 3 Ballets\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, actors, dancers, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eScenes from the Jungle, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean opera\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Vocal soloists, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eHoutebeen, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean oratorio\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Male chorus, string orchestra, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eJoppenszoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, a cantata for tenor and baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eConcerto Grosso for Blassensemble, Accordion Ensemble, and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003ci\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eCandida: Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491814875395,"sku":"dwr1787292105878","price":14.4,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491814908163,"sku":"hkg1787292105879","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/leiden-suite-for-accordion-ensemble_1.jpg?v=1787292111"},{"product_id":"pass-the-gravy-serving-up-the-lives-careers-and-recipes-of-196-silent-film-stars","title":"Pass the Gravy - Serving Up the Lives, Careers and Recipes of 196 Silent Film Stars","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003ePass the Gravy - Serving Up the Lives, Careers and Recipes of 196 Silent Film Stars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eDuring the silent film era, before sound reshaped the cinematic landscape, screen performers’ “look” was their prime commodity – how they looked was \u003ci\u003eeverything\u003c\/i\u003e. So, actors and actresses had to be attentive to their figures, to their complexions, and to their overall health. The food they ate had to be good for them. However, they also had to find a balance between eating right and eating well. They shared their gastronomic secrets – their personal recipes – with newspapers, magazines and cookbooks of their day, offering a glimpse of themselves as real people with realistic appetites and charming culinary legacies. They shared meals that were influential and popular during those silent film days, and which are surprisingly adaptable to contemporary palates and sensibilities. Within these covers you will find breakfast dishes, breads, meats, salads, seafood, vegetables and desserts, and then some, of all styles and tastes. This collection of recipes is seasoned with intriguing life stories of the celebrity chefs and is powered by helpful discussions of how to understand what, how and where they cooked. What you are holding is as much a cookbook as it is a history book and a celebration of film. Explore the lives, careers and recipes of 196 silent screen performers … entertainment at its finest, on screen \u003ci\u003eand \u003c\/i\u003ein the kitchen … what a delicious journey you are embarking on.\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eAnnette D’Agostino Lloyd is the author of \u003ci\u003eMagic in a Pair of Horn-Rimmed Glasses\u003c\/i\u003e, two indexes of \u003ci\u003eThe Moving Picture World\u003c\/i\u003e, and so much more. She lives, cooks and eats in Florida, USA.\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491814973699,"sku":"xfe1787292108122","price":25.08,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491815006467,"sku":"wmw1787292108123","price":36.96,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491815039235,"sku":"vmh1787292108124","price":5.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/pass-the-gravy---serving-up-the-lives-careers-and-recipes-of-196-silent-film-sta_1.jpg?v=1787292113"},{"product_id":"requiem-for-chorus-soloists-and-accordion-ensemble","title":"Requiem for Chorus, Soloists, and Accordion Ensemble","description":"\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos;\"\u003eRequiem for Chorus, Soloists, and Accordion Ensemble\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos;\"\u003eby John Franceschina\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e140 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e8.5x11 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e The \u003ci\u003eRequiem\u003c\/i\u003e was composed for Accordeonensemble Opus 2 to commemorate the beatification of Italian teenager, Carlo Acutis, by Pope Francis on 10 October 2020. The conservatively tonal work intersperses the Latin text of the traditional Requiem Mass with reflections on death, musical settings of poems by Rainer Maria Rilke, Walt Whitman, Christina Rossetti, Arthur Rimbeau, and Langston Hughes, in addition to elegiac musical interludes. The full musical program is as follows: \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e    Praeludium (Instrumental); Requiem Aeternam (Choral); Great Death (Alto solo); Kyrie (Choral); This Is Thy Hour (Bass\/Baritone solo); Requiem Aeternam (Choral); Threnody (Instrumental); Dies Irae (Choral); When I Am Dead (Soprano solo); Sentinel Soul (Tenor solo); Sanctus (Choral; Dear Lovely Death (Alto, Bass\/Baritone duet); Agnus Dei (Choral); Elegy (Instrumental); Lux Aeterna (Choral); Libera Me (Choral).\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003eJohn Franceschina\u003c\/b\u003e, composer, has created scores for the National Shakespeare Company and the Provincetown Playhouse in New York City, the Mark Taper Forum in Los Angeles, the Coconut Grove Playhouse in Miami, Baltimore's Center Stage, Washington’s Ford's Theatre and the Arena Stage, the Pittsburgh Public Theatre, Cleveland Playhouse, Florida Studio Theatre, Geva Theatre, Syracuse Stage, Papermill Playhouse, Music Theatre Works, and the Moscow Art Theatre, in addition to the Asolo State Theatre in Sarasota, Florida, where he acted as composer-in-residence from 1976 to 1993. His \u003ci\u003eFanfare for the Fiftieth\u003c\/i\u003e was commissioned by Philippe Entremont for the fiftieth anniversary of the New Orleans Symphony Orchestra in 1985; his secular oratorio, \u003ci\u003eHoutebeen\u003c\/i\u003e, for male chorus, string orchestra and accordion ensemble, toured the Netherlands in 2014, and his opera, \u003ci\u003eScenes from the Jungle\u003c\/i\u003e toured the Netherlands in 2019.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-style: italic;\"\u003eMusic by John Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Titles in this Series)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eRequiem\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Chorus, soloists, accordion ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eConcerto voor Saxofoon en Blassensemble\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eVuurwerk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (“Fireworks”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eKynaston; Concert Variations on a Theme by Henry Purcell\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eOroonoko; Rhapsody for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eLeiden Suite\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (Accordion Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eJourney to the Center of the Earth; 3 Ballets\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, actors, dancers, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eScenes from the Jungle, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean opera\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Vocal soloists, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eHoutebeen, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean oratorio\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Male chorus, string orchestra, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eJoppenszoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, a cantata for tenor and baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eConcerto Grosso for Blassensemble, Accordion Ensemble, and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003ci\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eCandida: Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Calibri; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491815072003,"sku":"knl1787292108105","price":17.92,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491815104771,"sku":"bcc1787292108106","price":24.5,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491815137539,"sku":"yzp1787292108107","price":5.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/requiem-for-chorus-soloists-and-accordion-ensemble_1.jpg?v=1787292113"},{"product_id":"ulyssess-vs-the-cannibal-tacos-from-outer-space-a-book-of-screenplays-by-the-firesign-theatre","title":"Ulyssess vs. The Cannibal Tacos from Outer Space! A Book of Screenplays by The Firesign Theatre","description":"\u003cp\u003e\u003cstrong\u003eUlyssess vs. The Cannibal Tacos from Outer Space!\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eA Book of Screenplays by The Firesign Theatre\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eby Philip Austin, Peter Bergman, Philip Proctor and David Ossman\u003c\/p\u003e\n\u003cp\u003eForeword by Spider Robinson\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWhen the suits at MGM finally hired The Firesign Theatre to make a movie, the group took on the epic adventure of Homer’s Odyssey and starred themselves as gods and mortals - Phil Austin took the lead as Bill Odysseus with Peter Bergman as his hippie sidekick, Crazy George.  David Ossman was set for the wrathful Poseidon and Phil Proctor the mercurial Hermes.  The screenplay, built on a decade of comedy albums and full of pre-CGI special effects, reached a second draft before ending up on the shelf.  But - it’s baaaack!\u003c\/p\u003e\n\u003cp\u003eThe laughs and weirdness that made The Firesign Theatre famous are re-imagined for the screen in this unique collection, aided by Bruce Snyder’s images and Ossman’s introductions.  Here are two versions of The Odyssey, Firesign's original screenplay for the cult classic Zachariah, and a pair of comedies from the Austin\/Ossman collaboration - Look Out For The Lumpies, and Saucer!, a bawdy, over-the-top sci-fi sendup, written for the producers of Airplane!\u003cbr\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491815203075,"sku":"ilt1787292109914","price":42.35,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491815235843,"sku":"bds1787292109915","price":46.15,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491815268611,"sku":"hgy1787292109916","price":11.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/ulyssess-vs-the-cannibal-tacos-from-outer-space-a-book-of-screenplays-by-the-fir_1.jpg?v=1787292115"},{"product_id":"kynaston","title":"Kynaston","description":"\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos;\"\u003eKynaston - Concert Variations on a Theme by Henry Purcell for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos;\"\u003eby John Franceschina\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e154 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos;\"\u003e7x10 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Garamond',serif;\"\u003eCommissioned by “Sam” Falcetti for the Springfield Accordion Orchestra in 1983, \u003ci\u003eKynaston\u003c\/i\u003e has been performed by virtuoso accordion ensembles in concerts and competitions around the world. Inspired by the Errol Flynn-like theatre career of Edward (“Ned”) Kynaston, the English Restoration leading man who triumphed in swashbuckling costume heroic dramas and romantic comedies, \u003ci\u003eKynaston\u003c\/i\u003e traces the actor’s changing moods in a series of variations based on Henry Purcell’s “Music for a While,” originally composed as incidental music for the 1682 revival of \u003ci\u003eOedipus\u003c\/i\u003e. Beginning with a simple statement of Purcell’s theme, \u003ci\u003eKynaston\u003c\/i\u003e follows with a buoyant “España; a lilting “Valse,” a devilish “Scherzo,” a lofty “Fuga,” a tender “Ballade,” and a spirited “Moto Perpetuo,” before returning to a grand recapitulation of Purcell’s theme. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Garamond',serif;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Garamond',serif;\"\u003eJohn Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 107%; font-family: 'Garamond',serif;\"\u003e, composer, has created scores for the National Shakespeare Company and the Provincetown Playhouse in New York City, the Mark Taper Forum in Los Angeles, the Coconut Grove Playhouse in Miami, Baltimore's Center Stage, Washington’s Ford's Theatre and the Arena Stage, the Pittsburgh Public Theatre, Cleveland Playhouse, Florida Studio Theatre, Geva Theatre, Syracuse Stage, Papermill Playhouse, Music Theatre Works, and the Moscow Art Theatre, in addition to the Asolo State Theatre in Sarasota, Florida, where he acted as composer-in-residence from 1976 to 1993. His \u003ci\u003eFanfare for the Fiftieth\u003c\/i\u003e was commissioned by Philippe Entremont for the fiftieth anniversary of the New Orleans Symphony Orchestra in 1985; his secular oratorio, \u003ci\u003eHoutebeen\u003c\/i\u003e, for male chorus, string orchestra and accordion ensemble, toured the Netherlands in 2014, and his opera, \u003ci\u003eScenes from the Jungle\u003c\/i\u003e toured the Netherlands in 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Aptos; font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-style: italic;\"\u003eMusic by John Franceschina\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Titles in this Series)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eRequiem\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Chorus, soloists, accordion ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eConcerto voor Saxofoon en Blassensemble\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eVuurwerk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (“Fireworks”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eKynaston; Concert Variations on a Theme by Henry Purcell\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eOroonoko; Rhapsody for Bayan Accordion Ensemble and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eLeiden Suite\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e (Accordion Ensemble)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eJourney to the Center of the Earth; 3 Ballets\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, actors, dancers, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eScenes from the Jungle, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean opera\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Vocal soloists, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eHoutebeen, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003ean oratorio\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Male chorus, string orchestra, accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eJoppenszoon\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, a cantata for tenor and baritone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e(Accordion ensemble, percussion)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eConcerto Grosso for Blassensemble, Accordion Ensemble, and Percussion\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003ci\u003eDesire Under the Elms: Incidental Music for Orchestra\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: normal;\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eCandida: Incidental Music for String Quartet\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491815301379,"sku":"xih1787292109888","price":20.44,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491815334147,"sku":"uui1787292109889","price":27.69,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491815366915,"sku":"yxf1787292109890","price":6.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/kynaston_1.jpg?v=1787292115"},{"product_id":"mexico-lindoahyou-have-no-eyes-the-making-of-sam-peckinpahs-the-wild-bunch","title":"\"Mexico Lindo...Ah...You Have No Eyes.\" The Making of Sam Peckinpah's The Wild Bunch","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003e\"Mexico Lindo...Ah...You Have No Eyes.\" \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eThe Making of Sam Peckinpah's The Wild Bunch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby John Farkis\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e408 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e“Mexico Lindo...Ah, you have no eyes” is a virtual day-by-day description of the making of Sam Peckinpah’s epic masterpiece “The Wild Bunch.”\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eTold in the same vein as his previous “making of” books, actors, crew members, extras, wranglers, and stuntmen share anecdotes and observations of their time on the sets.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eDrawing from published and unpublished sources, period newspapers, magazines, maps, diaries, internal correspondence, and new interviews, this richly researched and highly detailed work explores the trials and tribulations of pulling together this cinema-changing film and includes not only detailed descriptions of the various filmed scenes but also those that were filmed but not included in any version of the film. The addition of rarely seen behind-the-scenes photographs adds to the historical tapestry.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eThis book, as well as John’s previous works, provide not only an educational view of the filmmaking process but also offers a rare behind-the-scenes look at the making of the epic masterpiece.\u003cspan style=\"font-family: 'MS Gothic'; mso-bidi-font-family: 'MS Gothic';\"\u003e\u2028\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eJohn Farkis, writer and Western film historian, is a former automotive executive of a Fortune 100 company. His previous books include “Alamo Village: How a Texas Cattleman Brought Hollywood to the Old West” (both the original and revised and expanded editions), “Not Thinkin’...Just Rememberin’...The Making of John Wayne’s The Alamo,” and “The Making of Tombstone: Behind the Scenes of the Classic Modern Western.” John’s Western cinema articles have been published on websites, in newspapers, and in magazines.\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan\u003eThe Greatest Western of All Time\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"You can make the argument for John Ford\u0026amp;rsquo;s The Searchers or Kurt Russell\u0026amp;rsquo;s Tombstone, or even Lonesome Dove (but it\u0026amp;rsquo;s a miniseries) as the greatest Western of all time, but I believe there has never been, before or since, a better, more important Western than Sam Peckinpah\u0026amp;rsquo;s 1969 epic masterpiece The Wild Bunch. As one of the most original American art forms, the Western is a cultural icon whose influence on the world\u0026amp;rsquo;s perception of the culture of the United States cannot be measured. In 1969, three Westerns were released that had significant influence on the genre, True Grit, Butch Cassidy and the Sundance Kid, and The Wild Bunch. But of the three, none had a greater influence on the art form of cinema than Peckinpah\u0026amp;rsquo;s legendary film. Fifty-five years later, film historian John Farkis has written the definitive history of the film, \u0026amp;ldquo;Mexico Lindo\u0026amp;hellip;Ah\u0026amp;hellip;You Have No Eyes.\u0026amp;rdquo; The Making of Sam Peckinpah\u0026amp;rsquo;s The Wild Bunch (Bear Manor Media, $40, hardback \/ $29.95, paperback). Farkis, who has previously chronicled the making of John Wayne\u0026amp;rsquo;s The Alamo and the modern classic and fan favorite Tombstone, is a meticulous researcher and interviewer. For film historians, Farkis\u0026amp;rsquo;s biography of The Wild Bunch is a must read\u0026amp;mdash;and a model for researchers who want to write film history. Fans and admirers of Sam Peckinpah will hang on every word and read and re-read Farkis\u0026amp;rsquo;s well-organized and detailed research, filled with quotes and insights from those who made the film. Like all fans of great Westerns who wish they could have seen early cuts of their favorites before their final cinematic edits, I wonder what an early four- or five-hour version of The Wild Bunch must have been like. It must have been a treasure\u0026amp;mdash; just like Sam\u0026amp;rsquo;s genre-changing film and Farkis\u0026amp;rsquo;s groundbreaking biography of the greatest Western of all time.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491815432451,"sku":"yld1787292112462","price":23.66,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491815465219,"sku":"bfr1787292112463","price":29.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/mexico-lindoahyou-have-no-eyes-the-making-of-sam-peckinpahs-the-wild-bunch_1.jpg?v=1787292118"},{"product_id":"hm-wynant-you-must-believe","title":"H.M. Wynant - You Must Believe!","description":"\u003cp class=\"Body\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eH.M. Wynant - You Must Believe!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eSteven Peros\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eForeword by Alan K. Rode\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\" align=\"center\" style=\"text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"Body\" align=\"center\" style=\"text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eH.M. WYNANT’S EIGHT-DECADE CAREER \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"Body\" align=\"center\" style=\"text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eFROM BROADWAY TO HOLLYWOOD\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"Body\" align=\"center\" style=\"text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"Body\" align=\"center\" style=\"text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eCO-STARRING \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"Body\" align=\"center\" style=\"text-align: center;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt;\"\u003eOLIVIER, HEPBURN, FLYNN, STEIGER, BRONSON, GABLE, LANCASTER, BATMAN, AND MANY, MANY MORE. \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"Body\" style=\"line-height: 150%;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\" style=\"line-height: 150%;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003eWhether you know H.M. Wynant or not, this book is for anyone who wants to know, experience, and feel what it was like to be barely twenty years old in Manhattan in the late 1940\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\" style=\"font-size: 12.0pt; line-height: 150%; font-family: 'Arial Unicode MS',serif; mso-ascii-font-family: 'Helvetica Neue'; mso-hansi-font-family: 'Helvetica Neue';\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e’\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003es and early 1950\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\" style=\"font-size: 12.0pt; line-height: 150%; font-family: 'Arial Unicode MS',serif; mso-ascii-font-family: 'Helvetica Neue'; mso-hansi-font-family: 'Helvetica Neue';\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e’\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003es, performing on Broadway every night, dancing \u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"IT\" style=\"font-size: 12.0pt; line-height: 150%; mso-ansi-language: IT;\"\u003eJerome Robbins\u003c\/span\u003e\u003c\/b\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\" style=\"font-size: 12.0pt; line-height: 150%; font-family: 'Arial Unicode MS',serif; mso-ascii-font-family: 'Helvetica Neue'; mso-hansi-font-family: 'Helvetica Neue';\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e’ \u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003echoreography in his very first show, appearing on stage with \u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"DA\" style=\"font-size: 12.0pt; line-height: 150%; mso-ansi-language: DA;\"\u003eLaurence Olivier, Phil Silvers, Rex Harrison\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003e, and \u003cb\u003eKatharine Hepburn\u003c\/b\u003e, while running to television studios in the daytime during the dawn of live TV dramas, to work with the likes of \u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"DE\" style=\"font-size: 12.0pt; line-height: 150%; mso-ansi-language: DE;\"\u003eCharlton Heston\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003e and \u003cb\u003eBoris Karloff\u003c\/b\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\" style=\"line-height: 150%;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003eIt\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\" style=\"font-size: 12.0pt; line-height: 150%; font-family: 'Arial Unicode MS',serif; mso-ascii-font-family: 'Helvetica Neue'; mso-hansi-font-family: 'Helvetica Neue';\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e’\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003es a book for anyone who wants to know what it was like to be not yet thirty-years-old and recruited to come out to Hollywood in the mid-1950\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\" style=\"font-size: 12.0pt; line-height: 150%; font-family: 'Arial Unicode MS',serif; mso-ascii-font-family: 'Helvetica Neue'; mso-hansi-font-family: 'Helvetica Neue';\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e’\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003es to not only appear in movies with \u003cb\u003eClark Gable, Burt Lancaster, Elvis Presley, \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"FR\" style=\"font-size: 12.0pt; line-height: 150%; mso-ansi-language: FR;\"\u003eCharles Bronson\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003e, and \u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"DE\" style=\"font-size: 12.0pt; line-height: 150%; mso-ansi-language: DE;\"\u003eRod Steiger\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003e, but to have juicy guest roles on quite literally all of the most famous TV dramas and Westerns (and a few of the comedies) on the air from the 1950\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\" style=\"font-size: 12.0pt; line-height: 150%; font-family: 'Arial Unicode MS',serif; mso-ascii-font-family: 'Helvetica Neue'; mso-hansi-font-family: 'Helvetica Neue';\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e’\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003es through the 1970\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan lang=\"AR-SA\" dir=\"RTL\" style=\"font-size: 12.0pt; line-height: 150%; font-family: 'Arial Unicode MS',serif; mso-ascii-font-family: 'Helvetica Neue'; mso-hansi-font-family: 'Helvetica Neue';\"\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e\u003cspan dir=\"RTL\"\u003e\u003c\/span\u003e’\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003es (\u003cb\u003eBatman, Mission: Impossible, Gunsmoke, Rawhide, Get Smart!, I Spy, Perry Mason, The Man from U.N.C.L.E., The Wild Wild West, Hawaii Five-O, Dallas\u003c\/b\u003e), as well as live TV dramas with \u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"IT\" style=\"font-size: 12.0pt; line-height: 150%; mso-ansi-language: IT;\"\u003eGeorge C. Scott, Mickey Rooney, Ricardo Montalban\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003e, and \u003cb\u003eJack Warden\u003c\/b\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\" style=\"line-height: 150%;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003eAnd of course, starring in a little piece of TV history called \u003cb\u003eThe Twilight Zone\u003c\/b\u003e, a line of dialogue from which the title of this book is derived.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\" style=\"line-height: 150%;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003eFanbase Press Interview:  \u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 150%;\"\u003ehttps:\/\/fanbasepress.com\/press\/interviews\/books\/item\/55850-fanbase-press-interviews-steven-peros-on-the-release-of-the-biography-h-m-wynant-you-must-believe-through-bearmanor-media\/\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"Body\" style=\"line-height: 150%;\"\u003e\u003cstrong\u003eHalloween Episode of The \u003cem\u003eTwilight Zone Podcast:\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003ehttps:\/\/www.thetwilightzonepodcast.com\/episodes\/hm-wynant\u003c\/p\u003e\n\u003cp class=\"Body\" style=\"line-height: 150%;\"\u003ehttps:\/\/www.courant.com\/2024\/11\/05\/hes-one-of-the-last-prolific-hollywood-character-actors-hes-97-and-youve-probably-seen-him\/\u003c\/p\u003e\n\u003cp class=\"Body\" style=\"line-height: 150%;\"\u003ehttps:\/\/www.midwestbookreview.com\/wbw\/jan_25.htm#TheatreCinemaTV\u003c\/p\u003e\n\u003cp class=\"Body\" style=\"line-height: 150%;\"\u003ehttps:\/\/www.hollywoodheritage.org\/event-details\/meet-twilight-zone-star-h-m-wynant-with-playwright-director-steven-peros\u003c\/p\u003e\n\u003cp class=\"Body\" style=\"line-height: 150%;\"\u003e\"You might not recognize his name, but H.M. Wynant is one of the most prolific character actors of his generation. With a career in films, television and the stage spanning almost eight decades, 97-year-old Wy-nant was interviewed extensively about his life and career by author and friend Steven Peros, who packs this 220-page biography with entertaining anecdotes — H.M.’s Detroit childhood, moving to New York City at the age of nineteen, juggling plays and early live television, then relocating to Hollywood in 1956. Although Wynant never became a star, he always delivered strong performances in a variety of supporting roles — from playing a bare-chested Sioux warrior opposite Charles Bronson and Rod Steiger in Sam Fuller’s RUN OF THE ARROW, to brawling with Elvis Presley in IT HAPPENED AT THE WORLD’S FAIR. He also recalls jobs on such classic series as PLAYHOUSE 90, PERRY MASON, BATMAN, GUNSMOKE, plus a rare lead role in the 1960 TWILIGHT ZONE episode “The Howling Man.” In addition, Peros includes how he first met Wynant in the ‘90s, with the veteran actor later appearing in the author’s 2009 feature FOOTPRINTS. Throughout it all, Wynant is refreshingly candid about the highs, lows and occasional missteps of his career, which makes for an engaging journey through showbiz history.\"\u003cbr\u003e- Shock Cinema\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491815530755,"sku":"dgi1787292113787","price":17.36,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491815563523,"sku":"amf1787292113788","price":23.18,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491815596291,"sku":"obh1787292113789","price":4.88,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/hm-wynant---you-must-believe_1.jpg?v=1787292119"},{"product_id":"the-meet-the-parents-story","title":"The Meet the Parents Story","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eWhen the movie \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eMeet the Parents\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, starring Ben Stiller and Robert De Niro was released on Oct. 6, 2000, it pulled in $28,623,300 opening day and would become one of the most successful comedies ever, producing two successful sequels. What very few people know, however, is that the movie was a remake of a low-budget independent feature of the same name released 10 years before. Greg Glienna released his original \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eMeet the Parents\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e in 1991, and it was well received at the local Chicago theaters where it was shown, leading the young director to believe that with the right distribution, it could be a national hit. What followed was a decade-long journey of discovery as Greg tried to navigate the Hollywood studio system that seemed set up purposely to confound any outsider trying to get in. \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eMeet the Parents\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e would eventually become both a national, and an international hit, but through the process, gradually, Greg saw his connection to the film slowly erased from history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003eLaura Enright is from \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eChicago and has written about the city in her book Chicago’s Most Wanted: The Top Ten Book of Murderous Mobsters, Midway Monsters, and Windy City Oddities\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e. She’s also used the city as a backdrop for books in her Chicago Vampire Series. With its roots in Chicago, the story of the film \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eMeet the Parents\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e is a fitting tale for her to tell. \u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491815694595,"sku":"qmr1787292115543","price":19.71,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491815727363,"sku":"jio1787292115544","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/the-meet-the-parents-story_1.jpg?v=1787292120"},{"product_id":"hollywood-and-the-chicago-boys","title":"Hollywood and the Chicago Boys","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eHollywood and the Chicago Boys\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Stone Wallace\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e364 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eIn the tradition of \u003ci\u003eThe Godfather\u003c\/i\u003e and other celebrated crime novels. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eFrom the tough urban streets of 1930s Chicago to the glitz and glamor of vintage Hollywood:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eMobsters and Molls\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eRacketeering and Romance \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eEach a part of the history of HOLLYWOOD AND THE CHICAGO BOYS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eWith “Scarface” Al Capone facing a lengthy prison sentence and Prohibition about to be repealed, members of the notorious Chicago Outfit explore new lucrative rackets – and the motion picture business in Tinseltown looks to be the perfect opportunity for underworld infiltration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eHowever, before embarking on this ambitious undertaking, The Outfit must contend with vengeful rivals from the past and also deal with internal conflicts as a power play erupts to determine who will occupy Capone’s empty chair. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e“Machine Gun” Jack McGurn, Frank “The Enforcer” Nitti, Tony “Joe Batters” Accardo, and gangbuster Eliot Ness are among the characters come to life in the pages of this exciting new novel.\u003c\/span\u003e\u003cspan style=\"font-variant: small-caps; mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eHollywood and the Chicago Boys: Mobsters in Tinseltown #chicagooutfit #organizedcrime #hollywood\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491815825667,"sku":"whn1787292116940","price":15.6,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491815858435,"sku":"rgp1787292116941","price":30.66,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491815891203,"sku":"ugl1787292116942","price":3.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/hollywood-and-the-chicago-boys_1.jpg?v=1787292122"},{"product_id":"peter-allen-somebodys-angel-the-boy-from-oz-in-the-key-of-camp-2","title":"Peter Allen: Somebody’s Angel - The Boy from Oz in the Key of Camp","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003ePeter Allen: Somebody’s Angel - The Boy from Oz in the Key of Camp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eLawrence Schulman\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e336 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\" lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003eWith new interviews with Bernadette Peters, Melissa Manchester, Christine Andreas, Michael Jay, Dean Pitchford and Lenora Nemetz, complete discographies and songographies, a detailed listing of his best songs, and chockful of rare photos, award-winning author Lawrence Schulman explores the life and career of the late singer-songwriter Peter Allen, whose music is the centerpiece of this groundbreaking work, which aims to put him in the Pantheon of American composers of the Great New American Songbook.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e“For me, this book was a surprise and a discovery. I knew nothing about Peter Allen until I read it. For those who remember him, this book will enrich your knowledge of his origins, his songs and his public reception. For those for whom the name means nothing, Lawrence Schulman has come to the rescue with this brilliant account of a singular talent of the twentieth century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eReading it, I was completely absorbed. Singer, performer, extraordinary songwriter: Peter Allen was all three, but until now, he has never received the acclaim he deserves for his writing. Schulman’s book sparkles, not just with facts but with personal anecdotes that move, sadden, and even thrill. Quotes from those who worked with Allen, from those who knew him but never did, as well as reflections on his homosexuality – these details and more add a special intimacy to what could have been yet another nod to a bygone singer. Photographs of Allen’s childhood, family and friends, and performances complete the portrait. Bravo to Schulman for restoring this unique musical artist to life! This book is a treasure.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e— JANE EVELYN ATWOOD, photographer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e“A significant contribution to the story and history of popular music that grips the reader.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e— RICHARD ESTES, painter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e“Lawrence Schulman returns with skill, knowledge, creativity, and an analytical mind exhibited in his Judy Garland book to introduce us to another extraordinary singer, Peter Allen, whose phenomenal talent as a songwriter was equally unique.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e— MELITA WESTERLUND, sculptor \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e“Lawrence Schulman extends his depth of appreciation and knowledge to the vibrant songs and performances of the Australian singer-songwriter Peter Allen. With Schulman, we enter the realm of rich writing and insights--well known through his essays on Judy Garland—that heighten the pleasure of listening to Allen, who died far too young.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e— JUDITH GOLDSTEIN, founder of Humanity in Action \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eLAWRENCE SCHULMAN is the author of the 2-volume \u003ci\u003eGarland: That’s Beyond Entertainment – Reflections on Judy Garland (2023)\u003c\/i\u003e and \u003ci\u003eFREE: Words on Music by a Hi-Def Critic in an MP3 World (2024)\u003c\/i\u003e, both published by BearManor Media. \u003ci\u003ePeter Allen: The Boy from Oz in the Key of Camp (2025)\u003c\/i\u003e is his third work for BearManor and is based on his Fall 2023 ARSC \u003ci\u003eJournal\u003c\/i\u003e original article, which won the 2024 ARSC \u003ci\u003eJournal\u003c\/i\u003e Best Article Award. Author, music producer, critic and translator, Schulman translated from the French Bertrand Tessier’s 2023 Garland biography \u003ci\u003eSplendor and Downfall of a Legend\u003c\/i\u003e and has translated for the French website OpusHD.net since 2007. He has written reviews and articles for the ARSC \u003ci\u003eJournal\u003c\/i\u003e since 1994 on everything from Frank Sinatra to Bernard Herrmann and has also produced countless CD boxsets and written the liner notes for most of them. He has been heard on Maine Public Radio, French Public Radio and seen on numerous TV programs. His most recent 3-CD boxset\/double-LP from Trapeze\/Acrobat is the 2024 \u003ci\u003eJudy Garland: A Celebration\u003c\/i\u003e. Born in the Bronx and a Franco-American who lived in Paris for 26 years, he has degrees from Stony Brook University, the Sorbonne and CREAR, an audio-video school in Gouvieux, France. He has lived on Mount Desert Island in Maine since 1997.\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\" lang=\"EN-IN\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\" lang=\"EN-IN\"\u003e https:\/\/wbai.org\/archive\/program\/episode\/?id=56187\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003ehttps:\/\/www.audacy.com\/podcast\/spotlight-connecticut-a1dd9\/episodes\/lawrence-schulman-to-deliver-talk-in-ct-on-historic-20th-century-artists-cfcea\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003ePassionate People\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWMPG 90.9 FM\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eRadio from the University of Southern Maine\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJonathan McKenney, host\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e2 half-hour programs about PETER ALLEN: SOMEBODY'S ANGEL - THE BOY FROM OZ IN THE KEY OF CAMP with Lawrence Schulman\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e\u003cu\u003e\u003c\/u\u003e \u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJanuary 14, 2026: www.wmpg.org\/archive-player\/?\u003cwbr\u003eshow_key=weda\u0026amp;archive_key=2\u003c\/wbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eJanuary 28, 2026: www.wmpg.org\/archive-player\/?\u003cwbr\u003eshow_key=weda\u0026amp;archive_key=0\u003c\/wbr\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\"My 1-hour program on Peter Allen (in French) was broadcast today on France Musique\"\u003c\/p\u003e\n\u003cp\u003ehttps:\/\/www.radiofrance.fr\/francemusique\/podcasts\/42e-rue\/peter-allen-dans-les-pas-de-george-gershwin-avec-lawrence-schulman-7303697\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491815956739,"sku":"zyz1787292118052","price":20.7,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491815989507,"sku":"tgt1787292118053","price":27.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/peter-allen-somebodys-angel---the-boy-from-oz-in-the-key-of-camp_1.jpg?v=1787292124"},{"product_id":"growing-up-stooge","title":"Growing Up Stooge","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eGrowing Up Stooge\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Joan Howard Maurer and Jeff Lenburg\u003ci\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e370 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e7x10 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eHer father was Moe Howard, the scowling, bossy, mop-haired leader of The Three Stooges, who dished out laughter to millions with a poke in the eye and pie in the face of his two nitwitted partners.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eGROWING UP STOOGE tells the wild, true-life story of Joan Howard Maurer growing up as the daughter of the world’s most famous “Moe” and niece of her zany uncles, Curly and Shemp Howard.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eImagine living under the same roof as the man responsible for creating five decades of hilarious mayhem and madness in more than 200 classic two-reel comedy shorts and feature films. If you’re thinking, “Heaven help the daughter who had a father like that,” think again!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eThis entertaining, revealing, and beautifully written memoir chronicles Joan's incredible life as a “Stooge Kid.” From the very day she entered the world at Brooklyn Jewish Hospital and her famous father and uncles mashed their cross-eyed faces against the nursery glass it was clear her life would not be ordinary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eWith nearly 300 illustrations from the family's personal collections, many of which have never been published, this book sheds light on it all—the good, the bad, and the moronic. It's a journey full of raucous beginnings and rocky endings, exhilarating ups and debilitating downs. Along with the comedy came a lifetime of lessons for Joan who shares them all through a candid, behind-the-scenes look at a treasury of off-camera memories with her world-famous father and knuckleheaded uncles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eSo, get ready to duck some flying pies and find out what it was really like GROWING UP STOOGE.\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Hardback","offer_id":49491816022275,"sku":"glo1787292119189","price":32.66,"currency_code":"USD","in_stock":true},{"title":"Softcover","offer_id":49491816055043,"sku":"ndg1787292119190","price":27.72,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491816087811,"sku":"hec1787292119191","price":5.28,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/growing-up-stooge_1.jpg?v=1787292124"},{"product_id":"not-necessarily-a-memoir-inside-stories-from-50-years-in-television","title":"Not Necessarily a Memoir - Inside Stories From 50 Years in Television","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eNot Necessarily a Memoir - Inside Stories From 50 Years in Television\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby John C. Moffitt\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e400 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eJohn Moffitt has worked with everyone you might want to know more about, comedy-wise, and he can prove it. What a delight is this collection of stories about a who’s who of the most fascinating comedy minds of the last 40 years, and I’m not just saying that because I’m one of them. OK, a little because I’m one of them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eBill Maher\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eJohn Moffitt is a behind-the-scenes legend of comedy, having directed cutting edge television shows for decades. I can speak for Mr. Show and say he made us look like professionals when we weren't, and sometimes even when we didn't particularly want to. If you like showbiz memoirs, and I certainly do, his is one I look forward to with excitement and great anticipation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eBob Odenkirk\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eWe had a lot of good times, from Comic Relief to Hollywood Squares neither of which we could have done without John Moffitt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eWhoopi Goldberg\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eJohnny’s book is a wonderful collection of many entertaining stories. One is a story Of my capturing The Abominable Snowman (or did I?) Johnny also sent me stories Of his adventures with The Rolling Stones and Richard Pryor. You won’t see these Anywhere else!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eLily Tomlin\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491816153347,"sku":"nec1787292120352","price":22.91,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491816186115,"sku":"vph1787292120353","price":24.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/not-necessarily-a-memoir---inside-stories-from-50-years-in-television_1.jpg?v=1787292125"},{"product_id":"the-complete-john-denver-illustrated-discography","title":"The Complete John Denver Illustrated Discography","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eThe Complete John Denver Illustrated Discography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Daniel Selby \u003ci\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e340 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e8.25x11 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eColor\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eHenry John Deutschendorf Jr. or better known as John Denver was born in Roswell, New Mexico on December 31, 1943. At the age of 12 a gift from his grandmother of a 1910 Gibson guitar sparked an interest in music that would eventually take John all the way to the top. John mentioned in an Australian interview that this guitar was also one his grandmother herself had played as a child. With record sales of over 35 million+ units he is one of the best selling recording artists of all time. He was one of the most popular acoustic artists of the 1970s and one of the five top-selling recording artists in music history. He was also among one of the best songwriters of his time. Along the way John also tried his hand at acting and appeared in several films and televisions programs. Sadly John Denver died at age 53 on October 12, 1997 due to blunt-force injuries sustained in a crash of his Rutan Long-EZ Tandem 2-seater aircraft in Monterey Bay near Pacific Grove, California. He left behind a catalog of music still being listened to today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eDaniel Selby has researched and complied the most up to date discography ever published on this remarkable and beloved country \/ folk music Icon! Complete with recording and tour dates, foreign releases, reviews, chart information and more! Truly career spanning!\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491816218883,"sku":"xpl1787292121305","price":45.0,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491816251651,"sku":"hom1787292121306","price":48.96,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/the-complete-john-denver-illustrated-discography_1.jpg?v=1787292126"},{"product_id":"cocktails-coquettes-and-cigarettes-perry-mason-concoctions","title":"Cocktails, Coquettes and Cigarettes: Perry Mason Concoctions","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eCocktails, Coquettes and Cigarettes: Perry Mason Concoctions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Shaun Perkins\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e404 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eFrom 1933 to 1970, Erle Stanley Gardner thrilled readers with his gritty courtroom mysteries featuring one of the world’s most well-known lawyers Perry Mason. For the readers who liked urban stories of blackmail, murder, deceit and a myriad of other vices, the Perry Mason books delivered the goods. In addition, the courtroom scenes in the series were both instructive and enjoyable, written by a man who had been a lawyer and who had also studied and perfected the hard-boiled detective and mystery genre. This book is a fact-filled tour through all 82 of the Perry Mason mysteries with a special focus on the qualities that endeared them to so many readers of popular fiction: cocktails, coquettes and cigarettes. Each book is classified in a rating system indicating the depth of those qualities to be found in the story, plus details about the time period, the TV show and much more.\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491816317187,"sku":"usa1787292122480","price":24.96,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491816349955,"sku":"cqy1787292122481","price":31.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/cocktails-coquettes-and-cigarettes-perry-mason-concoctions_1.jpg?v=1787292128"},{"product_id":"the-greatest-gangster-movie-youve-never-seen-abel-ferraras-the-funeral","title":"The Greatest Gangster Movie You’ve Never Seen: Abel Ferrara’s The Funeral","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003e\u003cstrong\u003eThe Greatest Gangster Movie You’ve Never Seen: Abel Ferrara’s The Funeral\u003c\/strong\u003e\u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eby Danny Stewart\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eAfterword by Brad Stevens\u003cspan style=\"color: black;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e194 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e6 x 9 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e“The Greatest Gangster Movie You’ve Never Seen” delves deep into the shadows of cinema to unearth the buried gem that is Abel Ferrara’s “The Funeral.” Through a captivating blend of interviews, analysis, and exploration of the gangster genre, this book offers an unparalleled look into the making of a film often overlooked but undeniably powerful.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eAt its heart, the book presents a comprehensive examination of “The Funeral,” dissecting its narrative intricacies, thematic resonance, and visual aesthetics. Through exclusive interviews with the key creative minds behind the film, including filmmaker Abel Ferrara, cinematographer Ken Kelsch, production designer Charlie M. Lagola, and costume designer Mindy Eshelman, readers gain invaluable insights into the artistic choices that shaped this cinematic masterpiece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eKen Kelsch provides illuminating commentary on the film’s striking cinematography, detailing the techniques employed to capture the gritty essence of the narrative. Charlie M. Lagola offers a behind-the-scenes glimpse into the creation of the film’s immersive world, from meticulously crafted sets to atmospheric details that transport viewers to 1930s New York City. Meanwhile, Mindy Eshelman sheds light on the sartorial choices that define the characters, enriching their personalities and grounding them in the era’s distinct aesthetic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003eIn addition to its focus on “The Funeral” the book widens its scope to explore the broader landscape of the gangster genre and Abel Ferrara’s influential career. Drawing parallels between “The Funeral” and other iconic gangster films, the book examines recurring motifs, narrative tropes, and thematic preoccupations that define the genre’s enduring appeal. Through insightful analysis, readers gain a deeper understanding of Ferrara’s unique vision and his contributions to the cinematic landscape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e“The Greatest Gangster Movie You’ve Never Seen” is more than just a tribute to a forgotten masterpiece; it’s a celebration of cinema’s power to captivate, provoke, and endure. With its blend of scholarly rigor and cinematic passion, this book offers an indispensable resource for cinephiles, scholars, and anyone intrigued by the art of storytelling on the silver screen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003ehttps:\/\/lifebetweenframes.blogspot.com\/2025\/02\/danny-stewarts-greatest-gangster-movie.html?m=1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e\u003cspan\u003ehttps:\/\/www.youtube.com\/watch?v=dGYRm_sM-Zw\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003ehttps:\/\/www.midwestbookreview.com\/wbw\/apr_25.htm#theatrecinema\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-US;\"\u003e\u003cspan\u003e\u003cimg\u003ehttps:\/\/www.amazon.com\/Greatest-Gangster-Movie-Youve-Never\/dp\/B0DXC7S6BM\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003ehttp:\/\/filmint.nu\/the-greatest-gangster-movie-youve-never-seen-abel-ferraras-the-funeral-review-william-blick\/\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eRead the Bedlam Files review here\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eRead the James Neibaur review here\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491816448259,"sku":"cmv1787292125567","price":15.6,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491816481027,"sku":"ffh1787292125568","price":28.49,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491816513795,"sku":"wbv1787292125569","price":5.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/the-greatest-gangster-movie-youve-never-seen-abel-ferraras-the-funeral_1.jpg?v=1787292131"},{"product_id":"show-biz-tripping","title":"Show Biz Tripping…","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eShow Biz Tripping…\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Bruce J Starin\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e330 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eHave you ever wondered what an “Arena Rat” or a “Lot Lizard” might be?\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eWhen a celebrity talks about life “on the road”, have you ever wondered what the day to day adventures of such an endeavor might be like?\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDo you ever see the huge touring busses with darkend windows speeding across the highways and byways of the United States and Canada all spring, summer and fall and wonder who is inside, and more importantly where they have been, and where they are going?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eQuestions like these and more are all anwered with humor and a laugh out loud honesty by producer and writer Bruce J. Starin, as he spearheads and directs an international stage truck and bus tour of America’s Favorite Game Show, \u003ci\u003eWheel of Fortune Live! \u003c\/i\u003escheduled to play in over forty venues in sixteen weeks on the road – including huge arenas, baseball stadiums, state fairs, race tracks, coleseums, and yes, even legitimate theatres, while enduring hail storms, tornados and torrential downpours.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eAlong the way the company enccounters celebrities and show business legends also on the road or doing stints in various permanent venues who all wanted to “spin the Wheel”.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSome of these notables include Barbra Streisand, The Beach Boys, KISS, Wayne Newton, Carrot-Top, Tom Jones, George (Dr. Funkenstien) Clinton, Louie Anderson, Penn and Teller, Reba McIntire, Brooks and Dunn, and many, many others including an occasional prong-horn antelope, elk, or curious moose. One and all, they were all as our host Bob Eubanks reminded us “Making hay when the sun shined!”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eOccasionally, frisky members of our crew would make the aquantance of a lonely “Arena Rat” or “Lot Lizard”, professionals of the road you might say, but to find out how these encounters went, you just have read this book!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black;\"\u003eSHOW BIZ TRIPPING… \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eA raucous, wild, memoir of life on the road, producing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003ci\u003e\u003cspan style=\"color: black;\"\u003eWheel of Fortune Live!\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eThe North American Tour, Live! On Stage!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eA memoir and exposé by traveler, Bruce J. Starin.\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491816579331,"sku":"tju1787292127352","price":18.9,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491816612099,"sku":"rbx1787292127353","price":24.4,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491816644867,"sku":"ckc1787292127354","price":5.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/show-biz-tripping_1.jpg?v=1787292133"},{"product_id":"a-return-to-deep-joy-the-stanley-unwin-story","title":"A Return To Deep Joy: The Stanley Unwin Story","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eA Return To Deep Joy: The Stanley Unwin Story\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Anthony Slide\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eIntroduction by Lois Unwin Johnston\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6”x9” size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e136­­ pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-fareast-language: JA;\"\u003eStanley Unwin was unique among British comedians in that he invented his own language, Unwinese,\u003cb\u003e\u003ci\u003e \u003c\/i\u003e\u003c\/b\u003ewith which he entertained audiences from the 1940s until his death in 2002. Continuing his book-length studies of the British comedy fraternity, Anthony Slide discusses in detail Stanley Unwin’s life and career, including his years as a BBC engineer prior to embarking on a new career as a comedian, at first with the BBC. The text may not be totally in \u003cb\u003e\u003ci\u003e“basic engly twenty fido,”\u003c\/i\u003e\u003c\/b\u003e as Stanley Unwin would have described it, but there is enough Unwinese here to satisfy all of his fans, and, hopefully, to entertain new ones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-fareast-language: JA;\"\u003ehttps:\/\/www.altfg.com\/stanley-unwin\/\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491816743171,"sku":"wvb1787292129513","price":14.08,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491816775939,"sku":"pyy1787292129514","price":24.42,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491816808707,"sku":"xqs1787292129515","price":5.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/a-return-to-deep-joy-the-stanley-unwin-story_1.jpg?v=1787292136"},{"product_id":"from-star-wars-to-superman-conversations-with-makeup-legend-stuart-freeborn","title":"From Star Wars to Superman: Conversations with Makeup Legend Stuart Freeborn","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 14.0pt; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 14.0pt; mso-bidi-font-weight: bold;\"\u003eFrom \u003ci style=\"mso-bidi-font-style: normal;\"\u003eStar Wars\u003c\/i\u003e to \u003ci style=\"mso-bidi-font-style: normal;\"\u003eSuperman\u003c\/i\u003e: \u003c\/span\u003e\u003cspan style=\"font-size: 14.0pt; mso-bidi-font-weight: bold;\"\u003eConversations with Makeup Legend Stuart Freeborn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 14.0pt; mso-bidi-font-weight: bold;\"\u003eBy Joe Nazzaro\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 14.0pt; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 14.0pt; mso-bidi-font-weight: bold;\"\u003e6x9 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 14.0pt; mso-bidi-font-weight: bold;\"\u003e260 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 14.0pt; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 14.0pt; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 14.0pt; mso-bidi-font-weight: bold;\"\u003eBetween 1996-2004 entertainment journalist Joe Nazzaro conducted a series of interviews with British makeup pioneer Stuart Freeborn. Filling nearly 24 hours of tape, those conversations encompassed a wide range of topics, from Freeborn’s most popular films including \u003ci\u003eStar Wars, 2001: A Space Odyssey\u003c\/i\u003e and Superman, to his long-standing relationships with such film legends as David Lean, Peter Sellers and Sir Richard Attenborough. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 14.0pt; mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 14.0pt; mso-bidi-font-weight: bold;\"\u003eThose interviews have finally been collected for the first time, presenting a unique look at the British film industry through the eyes of somebody who was there from the beginning. Along the way, Freeborn also talks about the near-fatal jeep crash that left him hospitalized for several months; scaling an icy mountain peak without equipment; and unknowingly swimming in shark-infested waters- just a few of the hair-raising escapades captured in this book.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 14.0pt; mso-bidi-font-weight: bold;\"\u003eBorn in 1914, Stuart Freeborn’s credits include literally hundreds of films over more than 50 years, \u003ci\u003eincluding Oliver Twist, The Bridge on The River Kwai, 10 Rillington Place, 2001: A Space Odyssey, The Omen, Dr. Strangelove, Murder on the Orient Express, Top Secret\u003c\/i\u003e \u003ci\u003eHaunted Honeymoon\u003c\/i\u003e, four Superman films and the first three \u003ci\u003eStar Wars\u003c\/i\u003e movies. Freeborn died in 2013 at age 98.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 14.0pt; mso-bidi-font-weight: bold;\"\u003eEntertainment journalist Joe Nazzaro has been covering film and television makeup for nearly four decades. In addition to a 20-year stint on \u003ci\u003eMakeup Artist\u003c\/i\u003e, he helped launch \u003ci\u003eProsthetics Magazine\u003c\/i\u003e in 2015. He’s written countless magazine articles on the subject, as well as several makeup-related books including \u003ci\u003eStar\u003c\/i\u003e \u003ci\u003eTrek\u003c\/i\u003e and \u003ci\u003eFarscape\u003c\/i\u003e. His most recent book is a biography of makeup legend Dick Smith.\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491816841475,"sku":"hiw1787292129551","price":21.56,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491816874243,"sku":"pwe1787292129552","price":26.52,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/from-star-wars-to-superman-conversations-with-makeup-legend-stuart-freeborn_1.jpg?v=1787292135"},{"product_id":"the-era-that-time-forgot-volume-three","title":"The Era That Time Forgot Volume Three","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eThe Era That Time Forgot Volume Three\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003eby\u003c\/span\u003e B. Harrison Smith\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e258 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eTHE END IS THE BEGINNING…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eThis final volume on the films of Kevin Connor gives you inside information \u003cbr\u003eon \u003ci\u003eFrom Beyond the Grave and Motel Hell\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eFind out how \"The Carrots\" in the motel garden got their sound!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eDiscover what it was like to get Donald Pleasence,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eDavid Warner and Peter Cushing all together in your first film!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eWait until you read who was originally approached\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eto star and the other to direct \u003ci\u003eMotel Hell\u003c\/i\u003e!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eThis final volume is packed with juicy details!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003eB Harrison Smith is the filmmaker known for \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eThe Fields, Camp Dread, Death House, The Special\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e and \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eWhere the Scary Things Are\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e. He is the author of \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eThe Making of Leprechaun\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e, \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eMaking the Last Dinosaur\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e and the personal history of horror with \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eThis Time It's Personal\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491816939779,"sku":"veu1787292131285","price":18.2,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491816972547,"sku":"mle1787292131286","price":25.08,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/the-era-that-time-forgot-volume-three_1.jpg?v=1787292137"},{"product_id":"the-unfractured-fairy-tale-life-of-edward-everett-horton","title":"The Unfractured Fairy Tale Life of Edward Everett Horton","description":"\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eThe Unfractured Fairy Tale Life of Edward Everett Horton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Lon and Debra Davis\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e304 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"mso-bidi-font-family: 'Neutra Text'; font-variant: small-caps; color: black; mso-themecolor: text1; mso-style-textoutline-type: none; mso-style-textoutline-outlinestyle-dpiwidth: .75pt; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple;\"\u003eEdward Everett Horton\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-family: 'Neutra Text Light'; color: black; mso-themecolor: text1; mso-style-textoutline-type: none; mso-style-textoutline-outlinestyle-dpiwidth: .75pt; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple;\"\u003e (1886–1970), a stage-trained American actor and undisputed master of the double-take, made his mark in the escapist films of the 1930s and ’40s with his nuanced portrayals of flustered, nervous-nelly types. Movie buffs treasure his performances in such timeless classics as \u003ci\u003eTrouble in Paradise\u003c\/i\u003e (1932), \u003ci\u003eTop Hat\u003c\/i\u003e (1935), \u003ci\u003eLost Horizon\u003c\/i\u003e (1937), \u003ci\u003eHere Comes Mr. Jordan \u003c\/i\u003e(1941), and \u003ci\u003eArsenic and Old Lace\u003c\/i\u003e (1944). Baby Boomers fondly recall his familiar voice as the narrator of “Fractured Fairy Tales” on television’s \u003ci\u003eThe Rocky and Bullwinkle Show\u003c\/i\u003e and as Chief Roaring Chicken on \u003ci\u003eF Troop\u003c\/i\u003e. A discreet gentleman in his private life, Edward Everett never commented publicly on his rumored relationship with an actor fifteen years his junior. Authors Lon and Debra Davis proudly offer this career record and biography of one of the theatre’s most memorable—and most comical—troupers. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: 'Neutra Text Light'; color: black; mso-themecolor: text1; mso-style-textoutline-type: none; mso-style-textoutline-outlinestyle-dpiwidth: .75pt; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"mso-bidi-font-family: 'Times New Roman';\"\u003eAbout the Authors\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"mso-bidi-font-family: 'Times New Roman';\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"color: #333333;\"\u003eLON \u0026amp; DEBRA DAVIS \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"color: #333333;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003ehave been collaborating on writing projects since 1978, the year they met in college. Film buffs since childhood, they continue to share their mutual love of vintage entertainment by researching and writing books on the subject, including \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"mso-bidi-font-family: 'Times New Roman';\"\u003eSilent Lives: 100 Biographies of the Silent Film Era\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: 'Times New Roman';\"\u003e (2008); \u003ci\u003eStooges Among Us\u003c\/i\u003e (2008); \u003ci\u003eKing of the Movies: Francis X. Bushman\u003c\/i\u003e (2009); \u003ci\u003eFlirtation Act: The Story of a Boy, a Girl, and Vaudeville\u003c\/i\u003e (2016); \u003ci\u003eCHASE! A Tribute to the Keystone Cops\u003c\/i\u003e (2020); \u003ci\u003eMa and Pa Kettle on Film\u003c\/i\u003e (2020); and \u003ci\u003eStumbling into Film History\u003c\/i\u003e (2024). \u003c\/span\u003e\u003cspan style=\"color: #333333;\"\u003eThey have also co-edited more than two hundred academic books on the performing arts, American history, and literature. Lon \u0026amp; Debra and their Bengal cat, Willoughby, reside in the Pacific Northwest.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: #333333;\"\u003e https:\/\/www.bearmanormedia.com\/blogs\/news\/q-a-with-lon-davis\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!-- [if !supportLineBreakNewLine]--\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: #333333;\"\u003eBook Review: New book on Character Actor Edward Everett Horton\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: #333333;\"\u003ehttps:\/\/www.nysun.com\/article\/new-book-is-the-standard-study-of-edward-everett-horton-an-actor-who-embodied-both-the-lordly-sophisticated-and-the-silly?member_gift=CUZ5qwd3crq4pmz-xrd\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491817005315,"sku":"ham1787292131392","price":21.75,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491817038083,"sku":"mth1787292131393","price":24.8,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491817070851,"sku":"veq1787292131394","price":5.04,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/the-unfractured-fairy-tale-life-of-edward-everett-horton_1.jpg?v=1787292136"},{"product_id":"truth-and-consequences-the-quiz-show-scandals-of-the-1950s-and-their-aftermath","title":"Truth and Consequences: The Quiz Show Scandals of the 1950s and Their Aftermath","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eTruth and Consequences: The Quiz Show Scandals of the 1950s and Their Aftermath\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby David Inman\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e178 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eThe biggest television drama of the 1950s wasn't a romance, or a western, or a cop show. It was the TV quiz-show scandals of the late 1950s -- deception on a grand scale that played out on a small screen. After contestants became beloved celebrities, the nation learned that all was not as it seemed -- that many of them went on the air already knowing the questions they would be asked, the answers to those questions, and how to \"perform\" when answering them on the air for maximum dramatic effect. A story that began in a producer's study on Park Avenue ended in a congressional hearing room in Washington, D.C. Along the way careers were wrecked and reputations were ruined. TRUTH AND CONSEQUENCES is a all-encompassing look at the people involved, the chicanery behind the scenes and the Madison Avenue Mad Men who enabled it.\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491817201923,"sku":"smo1787292134626","price":16.0,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491817234691,"sku":"zul1787292134627","price":22.75,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491817267459,"sku":"ary1787292134628","price":5.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/truth-and-consequences-the-quiz-show-scandals-of-the-1950s-and-their-aftermath_1.jpg?v=1787292140"},{"product_id":"louise-fletcher-the-unauthorized-biography","title":"Louise Fletcher – The Unauthorized Biography","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eLouise Fletcher – The Unauthorized Biography\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Andrew Brookman\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e258 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eColor\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eHere is a Biography an Unauthorized Biography of the Late Hollywood Oscar winning actress Louise Fletcher better known around the world as Nurse Ratched in the classic “One flew over the cuckoo’s nest 1975.” For Years I kept asking Louise over and over and over if she would allow me to publish her Biography but she would not Authorize it and I did not publish it. Now almost twenty years on and after her death last year I thought it the right time to publish this book and add my own personal correspondence with the actress which lasted twenty years. Louise Fletcher herself was always amazed by my interest in her work and my enduring interest in her as an Actress. \u003cspan style=\"letter-spacing: -1.5pt;\"\u003eIt’s\u003c\/span\u003e an Unusual story of a working class person from Wales and A high Profile Hollywood Actress who just became friends. This Book is in dedication to her life and work which what can one say struck a cord with me personally.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold;\"\u003eAndrew Brookman \u003c\/span\u003e\u003cspan style=\"color: black;\"\u003ehas been a lifelong fan of the American Actress Louise Fletcher who is known around the world for her Oscar Winning Role as Nurse Ratched in the Classic “One flew over the Cuckoo’s Nest 1975.” Here in his Biography of her Life and Work in the Film Industry he examines what it is like for a woman over forty to re - enter the world Of Hollywood and her film roles over a sixty year career. Plus he has added some very personal letters between himself and Louise Fletcher, a correspondence which went on for twenty years.\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491817332995,"sku":"lnf1787292135520","price":28.08,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491817365763,"sku":"tks1787292135521","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/louise-fletcher-the-unauthorized-biography_1.jpg?v=1787292141"},{"product_id":"jackie-jester","title":"Jackie Jester","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eThe story of a fascinating musical career fraught with the most miserable lows, a few enormous highs, a touch of anger, a lot of humor—and a couple of perplexing crossroads.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eAs a teenager in depression-era lower Manhattan, Jack Aronson makes a name for himself writing songs with titles like \u003ci\u003eOne Big Pile of Ship\u003c\/i\u003e and \u003ci\u003eIf You See Kay\u003c\/i\u003e. Their popularity helps him decide to devote his life to making novelty records. Even before he turns 20, Jack becomes the comic yet troubled driving force behind Jester Records. His first hit record, \u003ci\u003eIzzy\u003c\/i\u003e \u003ci\u003e(Who Gives Me a Smile)\u003c\/i\u003e, leads to a hookup with a shady character who takes over the company. That’s when Jack starts to lose his own smile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eJack’s professional journey includes infuriating conferences with record company executives, endless inspirations, chance meetings with the likes of Harpo Marx and Frank Sinatra, and a couple of decisions that may alter the course of his family's future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e“A funny, flavorful, touching novel of an unusual New York family with the backdrop of novelty songs, corporate intrigue, and knishes. Samberg has captured the ambiance of the Lower East Side in an era when anything seemed possible for a mensch who wouldn’t let setbacks and betrayals rob him of his dream.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e—\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eDavid J. Weiner, music writer, historian, and producer\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e“As a psychoanalyst with 55 years of experience, I found \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eJackie Jester\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e both a mirror of some difficult times in this county and a modern reiteration of Ibsen's iconic play, \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eGhosts\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e. It deftly illuminates how one's choice to deny the essential facts of one's life can result in a life-altering event.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e—\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN;\"\u003eGibbs Williams, psychoanalyst and author\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003eGreat Day Connecticut\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHonest 2 Betsy. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eBaby Boomer Favorites\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491817431299,"sku":"kwx1787292136870","price":18.2,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491817464067,"sku":"wbf1787292136871","price":27.75,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491817496835,"sku":"rzn1787292136872","price":3.65,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/jackie-jester_1.jpg?v=1787292142"},{"product_id":"john-mitchums-unabashed-love-of-country-cowboys-and-god-audio-download","title":"JOHN MITCHUM'S UNABASHED LOVE  OF COUNTRY, COWBOYS, AND GOD (audio download)","description":"\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eJOHN MITCHUM'S UNABASHED LOVE\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eOF COUNTRY, COWBOYS, AND GOD\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eMulti-talented, yet mostly known for his roles in Clint Eastwood films, John Mitchum articulates his love for his Country, the thrill of the spirit of the Cowboy guided by the love of God in song and poetry, set to music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e54 celebrity colleagues lovingly render John's poetry, including Grammy-nominated \u003ci\u003e\"America-Why I Love Her\" \u003c\/i\u003erecorded by legendary John Wayne, with a few light-hearted songs, a couple of them featuring Mitchum himself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eThe immense talent represented in this compilation is no less legendary than the Duke, with Ernest Borgnine, Jane Russell, Robert Duvall, and many more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e              \u003c\/span\u003eStefan Arngrim * Jim Beaver * Randy Boone *\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eErnest Borgnine * Bruce Boxleitner * A. Wilford Brimley * Ben Cooper *\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eBarry Corbin * Alex Cord * Susan Cowsill * Phil Crosby, Jr. * James Drury * \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eRobert Duvall * Robert Easton * Cliff Emmich * AJ Fenady *\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eJames Gammon * Jimmy Hampton * RW Hampton * Richard Harwood *\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eRichard Herd * Bo Hopkins * Huell Howser * David Huddleston *\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eWill Hutchins * Anne Jeffreys * Herb Jeffries * L.Q. Jones *\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003ePaul Kamm * Eleanore McDonald * Martin Kove * Donna Martell *\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eLarry Maurice * Michael McGreevey * Denny Miller *\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eChristopher Mitchum * Jack O'Halloran * Andrew Prine * Rusty Richards *\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eJulie Rogers Pomilia * Jane Russell * Ann Rutherford * Dean Smith *\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eRed Steagall * Peggy Stewart * Dwight Twilley * Dick Van Patten *\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eMorgan Woodward * RJ Word * Rob Word * Richard Yniguez *\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003ci\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e\"This is not just Hollywood history. This is PURE Americana!\"\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e- Ben Mankiewicz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003ci\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e\"There has never been nor can there ever be a project of this magnitude again.\"\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e- Leonard Maltin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"margin-bottom: 0in; text-align: center; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e(C)MitchumMediaLLC, 2021\u003cspan style=\"mso-tab-count: 3;\"\u003e                                   \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e                           \u003c\/span\u003eJohnMitchumWorld.com\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eDisc 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eTrack I Title\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                 \u003c\/span\u003eI Artist\u003cspan style=\"mso-tab-count: 1;\"\u003e   \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003eI Length\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e1, Grammy\u003cspan style=\"mso-tab-count: 5;\"\u003e                                                                \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 3;\"\u003e                                         \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003e0:11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e2\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThe Pledge of Allegiance\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eJames Drury\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e2:29\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e3\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThe People\u003cspan style=\"mso-tab-count: 3;\"\u003e                                \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eMorgan Woodward\u003cspan style=\"mso-tab-count: 3;\"\u003e                                    \u003c\/span\u003e4:22\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e4\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThe Hyphen\u003cspan style=\"mso-tab-count: 3;\"\u003e                               \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eDavid Huddleston\u003cspan style=\"mso-tab-count: 3;\"\u003e                                    \u003c\/span\u003e2:59\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e5\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003ePurple Heart\u003cspan style=\"mso-tab-count: 3;\"\u003e                             \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eMartin Kove\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e2:05\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e6\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eTaps\u003cspan style=\"mso-tab-count: 4;\"\u003e                                           \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eRobert Easton\u003cspan style=\"mso-tab-count: 4;\"\u003e                                            \u003c\/span\u003e2:33\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e7\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAn American Boy Grows Up\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eErnest Borgnine\u003cspan style=\"mso-tab-count: 3;\"\u003e                                        \u003c\/span\u003e4:29\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e8\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAmerica - Why I Love Her\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eRobert Duvall\u003cspan style=\"mso-tab-count: 4;\"\u003e                                            \u003c\/span\u003e2:41\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e9\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eWhy Are You Marching, Son?\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eAndrew Prine\u003cspan style=\"mso-tab-count: 4;\"\u003e                                              \u003c\/span\u003e3:33\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e10 The Good Things\u003cspan style=\"mso-tab-count: 2;\"\u003e                     \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eA. Wilford Brimley\u003cspan style=\"mso-tab-count: 3;\"\u003e                            \u003c\/span\u003e2:31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e11 Freedom Never Sleeps\u003cspan style=\"mso-tab-count: 2;\"\u003e                         \u003c\/span\u003eRW Hampton\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e3:04\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e12 Why Can't I Tell At All?\u003cspan style=\"mso-tab-count: 2;\"\u003e                         \u003c\/span\u003eDwight Twilley and Susan Cowsill\u003cspan style=\"mso-tab-count: 1;\"\u003e            \u003c\/span\u003e3:23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e13 The Man In Blue\u003cspan style=\"mso-tab-count: 2;\"\u003e                      \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eJack O'Halloran\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                   \u003c\/span\u003e1:20\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e14 Lonely Vigil\u003cspan style=\"mso-tab-count: 3;\"\u003e                              \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eDick Van Patten\u003cspan style=\"mso-tab-count: 3;\"\u003e                              \u003c\/span\u003e1:22\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e15 Charlie Goodnight\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eJames Drury\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e1:52\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e16 Mama, Put That Jug Down!\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eJohn Mitchum\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                     \u003c\/span\u003e1:52\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e17 Mis Raices Estan Aqui\u003cspan style=\"mso-tab-count: 2;\"\u003e                           \u003c\/span\u003eAlex Cord\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e3:05\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e18 Desert Treasure\u003cspan style=\"mso-tab-count: 2;\"\u003e                       \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eBruce Boxleitner\u003cspan style=\"mso-tab-count: 3;\"\u003e                                      \u003c\/span\u003e1:24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e19 The Cowboy\u003cspan style=\"mso-tab-count: 3;\"\u003e                             \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eJames Gammon\u003cspan style=\"mso-tab-count: 3;\"\u003e                                       \u003c\/span\u003e0:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e20 Sierra Peaks\u003cspan style=\"mso-tab-count: 3;\"\u003e                             \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eRed Steagall\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e1:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e21 Blue Eyes, Blue Boy\u003cspan style=\"mso-tab-count: 2;\"\u003e                 \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eRJ Word\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e2:40\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e22 An Ode to a Mule\u003cspan style=\"mso-tab-count: 2;\"\u003e                    \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eJim Beaver\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e3:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e23 All the Pretty Horses\u003cspan style=\"mso-tab-count: 2;\"\u003e               \u003c\/span\u003eDenny Miller\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 3;\"\u003e                                         \u003c\/span\u003e1:54\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e24 Dearest\u003cspan style=\"mso-tab-count: 3;\"\u003e                                     \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eBen Cooper\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e2:07\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e25 That's My Mother\u003cspan style=\"mso-tab-count: 2;\"\u003e                   \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003ePaul Kamm and Eleanore MacDonald\u003cspan style=\"mso-tab-count: 1;\"\u003e            \u003c\/span\u003e1:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e26 California, USA\u003cspan style=\"mso-tab-count: 3;\"\u003e                                      \u003c\/span\u003eJohn Mitchum and Julie Rogers Pomilia1:50\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e27 An Ode to Roy Lanham\u003cspan style=\"mso-tab-count: 2;\"\u003e                         \u003c\/span\u003eRusty Richards\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                      \u003c\/span\u003e1:22\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eDisc 2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003eTrack I Title\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                 \u003c\/span\u003eI Artist\u003cspan style=\"mso-tab-count: 1;\"\u003e   \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003eI Length\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e1\u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003eBen Johnson - The Man\u003cspan style=\"mso-tab-count: 2;\"\u003e                      \u003c\/span\u003eBarry Corbin\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e1:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e2\u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003eDale Evans\u003cspan style=\"mso-tab-count: 3;\"\u003e                              \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eDonna Martell\u003cspan style=\"mso-tab-count: 4;\"\u003e                                          \u003c\/span\u003e0:58\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e3\u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003eMt Whitney\u003cspan style=\"mso-tab-count: 3;\"\u003e                            \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003ePeggy Stewart\u003cspan style=\"mso-tab-count: 4;\"\u003e                                          \u003c\/span\u003e1:05\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e4\u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003eAn Ode to a Legend - John Ford\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003eRob Word\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e1:57\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e5\u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003eA Breed Apart\u003cspan style=\"mso-tab-count: 3;\"\u003e                                      \u003c\/span\u003eDean Smith\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e0:47\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e6\u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003eDrinkin' Up\u003cspan style=\"mso-tab-count: 4;\"\u003e                                           \u003c\/span\u003eSusan Cowsill\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e5:03\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e7\u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003eThe Perfect Symbol\u003cspan style=\"mso-tab-count: 3;\"\u003e                             \u003c\/span\u003eHuell Howser\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e1:36\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e8\u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003eAn Ode to Montie Montana\u003cspan style=\"mso-tab-count: 2;\"\u003e               \u003c\/span\u003eWill Hutchins\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e1:02\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e9\u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003eSaturday Night Figure\u003cspan style=\"mso-tab-count: 2;\"\u003e                         \u003c\/span\u003ePhil Crosby\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e2:44\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e10\u003cspan style=\"mso-spacerun: yes;\"\u003e   \u003c\/span\u003eJust Horsin' Around\u003cspan style=\"mso-tab-count: 3;\"\u003e                             \u003c\/span\u003eCliff Emmich\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e2:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e11\u003cspan style=\"mso-spacerun: yes;\"\u003e   \u003c\/span\u003eOur Hearts in His Country\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eBo Hopkins\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e1:20\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e12\u003cspan style=\"mso-spacerun: yes;\"\u003e   \u003c\/span\u003eHerb Jeffries\u003cspan style=\"mso-tab-count: 3;\"\u003e                                        \u003c\/span\u003eHerb Jeffries\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e1:36\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e13\u003cspan style=\"mso-spacerun: yes;\"\u003e   \u003c\/span\u003eThe Rodeo Rider\u003cspan style=\"mso-tab-count: 2;\"\u003e                    \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eRichard Herd\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e1:05\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e14\u003cspan style=\"mso-spacerun: yes;\"\u003e   \u003c\/span\u003eHear the Diesel Blowin'\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eStefan Arngrim\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e4:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e15\u003cspan style=\"mso-spacerun: yes;\"\u003e   \u003c\/span\u003eHis Touching Hand\u003cspan style=\"mso-tab-count: 2;\"\u003e                \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eMichael McGreevey\u003cspan style=\"mso-tab-count: 3;\"\u003e                                    \u003c\/span\u003e1:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e16\u003cspan style=\"mso-spacerun: yes;\"\u003e   \u003c\/span\u003eWithin Us All\u003cspan style=\"mso-tab-count: 3;\"\u003e                                       \u003c\/span\u003eRichard Yniguez\u003cspan style=\"mso-tab-count: 3;\"\u003e                            \u003c\/span\u003e1:43\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e17\u003cspan style=\"mso-spacerun: yes;\"\u003e   \u003c\/span\u003e...And Listen to the Sun Go Down\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003eJane Russell\u003cspan style=\"mso-tab-count: 3;\"\u003e                                         \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003e1:15\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e18\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSea Finger\u003cspan style=\"mso-tab-count: 4;\"\u003e                                             \u003c\/span\u003eRichard Harwood\u003cspan style=\"mso-tab-count: 3;\"\u003e                                       \u003c\/span\u003e0:44\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e19\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eShe Never Played It Mean\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e                \u003c\/span\u003eAnne Jeffreys\u003cspan style=\"mso-tab-count: 4;\"\u003e                                          \u003c\/span\u003e1:40\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e20\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThe Sounds of Silence\u003cspan style=\"mso-tab-count: 2;\"\u003e                          \u003c\/span\u003eAnn Rutherford\u003cspan style=\"mso-tab-count: 3;\"\u003e                                    \u003c\/span\u003e1:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e21\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAn Ode to My Dog\u003cspan style=\"mso-tab-count: 3;\"\u003e                               \u003c\/span\u003eJimmy Hampton\u003cspan style=\"mso-tab-count: 3;\"\u003e                                       \u003c\/span\u003e1:02\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e22\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThe Two Trees\u003cspan style=\"mso-tab-count: 3;\"\u003e                                      \u003c\/span\u003eL.Q. Jones\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e1:39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e23\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eStarin' From a Boxcar\u003cspan style=\"mso-tab-count: 2;\"\u003e                          \u003c\/span\u003eRandy Boone\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e1:52\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e24\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eEulogy to the Mitchums\u003cspan style=\"mso-tab-count: 2;\"\u003e                      \u003c\/span\u003eA.J. Fenady\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e5:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e25\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eBen Johnson - The Man\u003cspan style=\"mso-tab-count: 2;\"\u003e                       \u003c\/span\u003eChristopher Mitchum\u003cspan style=\"mso-tab-count: 3;\"\u003e                                        \u003c\/span\u003e1:11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 115%; mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-font-kerning: 0pt; mso-ansi-language: EN;\"\u003e26\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eJohn Mitchum, Why We Loved Him\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003eLarry Maurice\u003cspan style=\"mso-tab-count: 4;\"\u003e                                                       \u003c\/span\u003e2:52\u003cspan style=\"mso-tab-count: 2;\"\u003e                    \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 3;\"\u003e                                         \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Digital","offers":[{"title":"Default Title","offer_id":49491817562371,"sku":"fpn1787292138006","price":5.85,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/john-mitchums-unabashed-love-of-country-cowboys-and-god-audio-download_1.jpg?v=1787292144"},{"product_id":"bright-shiny-a-history-of-animation-at-award-shows-volume-i","title":"Bright \u0026 Shiny: A History of Animation at Award Shows Volume I","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eBright \u0026amp; Shiny: A History of Animation at Award Shows Volume I\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Nick Spake\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e512 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eHave you ever wondered why \u003ci\u003eSnow White\u003c\/i\u003e \u003ci\u003eand the Seven Dwarfs\u003c\/i\u003e received an Honorary Oscar®, yet no Best Picture nomination? How did \u003ci\u003eThe Flintstones\u003c\/i\u003e become the first animated program to be nominated at the Emmys® as a comedy series? How June Foray went from voicing Rocky the Flying Squirrel to giving her fellow animation legends a voice at the Annie Awards®? \u003ci\u003eBright \u0026amp; Shiny\u003c\/i\u003e thoroughly explores animation’s history across award shows. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eThis initial volume covers everything from the first Oscar®-winning animated short to the Disney Renaissance’s breakthrough on the awards trail. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003eIn addition to inside baseball about the awards game, \u003ci\u003eBright \u0026amp; Shiny\u003c\/i\u003e provides behind-the-scenes stories regarding your favorite animated films and shows, complete with interviews from Jerry Beck, Don Bluth, Brenda Chapman, Ruth Clampett, Don Hahn, Emily Hubley, Alan Menken, John Musker, Floyd Norman, Stephen Schwartz, and nearly 200 more industry professionals. To learn more, visit \u003ci\u003eCartoonContender.com\u003c\/i\u003e.\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black;\"\u003e\u003cbr\u003ehttps:\/\/www.midwestbookreview.com\/cbw\/jul_25.htm#StoryMonstersInk\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491817660675,"sku":"bhq1787292141330","price":26.64,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491817693443,"sku":"nxx1787292141331","price":33.12,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/bright-shiny-a-history-of-animation-at-award-shows-volume-i_1.jpg?v=1787292146"},{"product_id":"escaping-death-the-unauthorized-story-behind-the-final-destination-movies","title":"Escaping Death - The Unauthorized Story Behind the Final Destination Movies","description":"\u003cp\u003e\u003cstrong\u003eEscaping Death - The Unauthorized Story Behind the Final Destination Movies\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eby Padraic Maroney\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eNot all movies are able to affect viewers to the point of changing their lives afterwards. But there’s one horror franchise that has caused many people to avoid driving behind logger trucks while others stay away from tanning beds. Still, some also experience a “\u003ci\u003eFinal Destination\u003c\/i\u003e moment” when they witness a could-be freak accident in the making. One thing is for certain—the \u003ci\u003eFinal Destination\u003c\/i\u003e films are not just horror movies; they’ve crossed over into the general pop culture. Millennials especially know the opening moments of \u003ci\u003eFinal Destination 2\u003c\/i\u003e even if they haven’t seen the actual movie.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eUsing ingenious Rube Goldberg-inspired machinations that lead to deadly consequences, \u003ci\u003eFinal Destination\u003c\/i\u003e has been turning seemingly innocent, everyday things into weapons of death for 25 years. With five films under its belt and another on the way, the franchise is still scaring audiences and making them weary of things they never thought twice about using before. The sixth entry, \u003ci\u003eFinal Destination: Bloodlines\u003c\/i\u003e, is ready to inspire new fears in a younger generation.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eTake a look behind-the-scenes and read about the development and making of the \u003ci\u003eFinal Destination \u003c\/i\u003emovies.\u003c\/p\u003e\n\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003eOver 50 exclusive interviews from the cast and filmmakers*, covering all six movies in the franchise\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003eLearn about the original film’s development, including how the Rube Goldberg element was introduced and discussions about whether to have Death personified\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003eRead stories from the sets shared by the people who were there\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003eSee more than a dozen behind-the-scenes photos, many never before seen publicly until now\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003eGain knowledge about how they created and filmed some of the series’ biggest set pieces and death scenes\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003eCatch up on the previous films while getting a tease about the new film, \u003ci\u003eFinal Destination: Bloodlines\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003eEscaping Death: The Unofficial Story Behind the \u003c\/i\u003eFinal Destination \u003ci\u003eMovies\u003c\/i\u003e is a must read for any movie lover looking to learn more about this innovative, suspense franchise that has been scaring audiences for two and a half decades.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e*Actors Tony Todd, A. J. Cook, Nicholas D’Agosto, Kerr Smith, Amanda Detmer, Emma Bell, and Crystal Lowe; producers Craig Perry, Sheila Hanahan-Taylor, and Jon Watts; writers Jeffrey Reddick, Glen Morgan, Guy Busick, and Lori Evans Taylor; director\/writer James Wong; franchise fan director John Waters, and more!\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003ehttps:\/\/bloody-disgusting.com\/books\/3864444\/escaping-death-book-chronicles-the-final-destination-franchise-with-50-interviews\/\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003ehttps:\/\/podcasts.apple.com\/us\/podcast\/final-destination-25th-anniversary\/id1533470801?i=1000703762330\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003ehttps:\/\/www.nbcphiladelphia.com\/entertainment\/philly-live\/author-gives-story-behind-final-destination-movies\/4172121\/\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491817726211,"sku":"lsr1787292141821","price":22.11,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491817758979,"sku":"tnc1787292141822","price":29.92,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/escaping-death---the-unauthorized-story-behind-the-final-destination-movies_1.jpg?v=1787292147"},{"product_id":"between-two-worlds","title":"Between Two Worlds","description":"\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos;\"\u003eBetween Two Worlds\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: normal; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos;\"\u003eby Juliette ‘Goldiebear’ Margold\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri;\"\u003e78 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri;\"\u003e6x9 size\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: 120%; mso-pagination: none; mso-hyphenate: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 120%; mso-bidi-font-family: Calibri; font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eGOD CREATED MAN. WILLIAM MARGOLD CREATED HIMSELF…\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold;\"\u003eAND A DAUGHTER\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eWhen you are a child, all you ever want is a parent to look up to. Juliette Margold only had to look at the stained screen of an adult movie theater to see her father. As from the screen, and in life, he never saw her.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eJuliette tells the story of her life reaching for a man who called countless porno starlets his ‘children’. Her story will take you all over the globe from London to Madrid to swing parties to starting a family of her own. She has lived her life in a constant flux between acceptance and avoidance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eIn the end, she just might be her father’s daughter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0in; text-align: justify; text-justify: inter-ideograph; line-height: normal;\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-style: italic;\"\u003eJuliette Margold Hamilton\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-family: Aptos; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e was born and raised in Southern California. Her career in the travel industry has taken her to many destinations around the globe. She now lives back in Southern California with her husband and daughter.\u003c\/span\u003e\u003cspan lang=\"EN-IN\" style=\"font-size: 12.0pt; font-family: 'Calibri Light',sans-serif; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491817824515,"sku":"iow1787292142662","price":14.08,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491817857283,"sku":"hgb1787292142663","price":22.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/between-two-worlds_1.jpg?v=1787292148"},{"product_id":"the-career-of-john-wayne-films-radio-television","title":"The Career of John Wayne - Films, Radio, Television","description":"\u003cp\u003e\u003cstrong\u003eThe Career of John Wayne - Films, Radio, Television\u003c\/strong\u003e\u003cbr\u003eby Randy Bonneville\u003c\/p\u003e\n\u003cp\u003e252 pages\u003cbr\u003e6x9 size\u003c\/p\u003e\n\u003cp\u003eISBN 9798887716879 paperback\u003cbr\u003eISBN 9798887716886 hardback\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThere have been numerous biographies about the \u003cbr\u003elegendary film star John Wayne, but The Career of \u003cbr\u003eJohn Wayne: Films, Radio, Television focuses \u003cbr\u003eexclusively on his work--every movie, golden age \u003cbr\u003eradio appearance and tv guest turn...for example, did \u003cbr\u003eyou know that the Duke bantered with Bing Crosby \u003cbr\u003eon NBC's Kraft Music Hall?  Or the fact that it was \u003cbr\u003efilm's number one cowboy who introduced \u003cbr\u003eGunsmoke to the viewing audience before its \u003cbr\u003epremiere in 1955?  All this and more is contained in \u003cbr\u003ethis informative volume.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ehttps:\/\/www.midwestbookreview.com\/lbw\/apr_25.htm#theatrecinematv\u003c\/p\u003e\n\u003cp\u003ehttps:\/\/www.amazon.com\/Career-John-Wayne-Films-Television\/dp\/B0DZ34W3YV\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491817922819,"sku":"ebo1787292143974","price":18.48,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491817955587,"sku":"rim1787292143975","price":24.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/the-career-of-john-wayne---films-radio-television_1.jpg?v=1787292149"},{"product_id":"my-jedi-memoir-a-double-life","title":"My Jedi Memoir - A Double Life","description":"\u003cp class=\"MsoNoSpacing\"\u003eCheck out James' substack here\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eMy Jedi Memoir - A Double Life\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby James Kahn\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e276 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003epaperback ISBN 9798887717302\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003ehardback ISBN 9798887717319\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003eNew York Times #1 Bestselling Author\u003cbr\u003e\u003cbr\u003eBehind the glamour of Hollywood, a doctor's true calling collided with unexpected destiny, revealing a life less ordinary and profoundly moving.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003eFrom the chaos of an emergency room where lives hung by a thread, to the enchanting sets of cinematic legends like \u003ci\u003eE.T. the Extra-Terrestrial\u003c\/i\u003e and \u003ci\u003eReturn of the Jedi\u003c\/i\u003e, this memoir unveils the exhilarating, often hilarious, and deeply personal journey of a man living a double life. \u003cbr\u003e\u003cbr\u003eDiscover the stories behind the creation of iconic film novelizations, and witness how the raw emotions of saving lives unexpectedly shaped unforgettable narratives for the big screen. \u003cbr\u003e\u003cbr\u003eExplore the intimate struggles of balancing a demanding medical career with a burgeoning writing passion, and how the masks we wear in life, both literal and figurative, ultimately lead us to our authentic selves.\u003cbr\u003e\u003cbr\u003eGet swept into a world where science and fantasy intertwine, and where the most extraordinary adventures are found in the most unexpected places.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWith some of his original manuscript pages, this is a never before seen window into the creative process that went into the writing of the classic Jedi novel.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e“I used to skip class to read James Kahn’s books. What will you do?”\u003c\/b\u003e\u003cbr\u003e- John Scalzi. Author, “Old Man’s War”\u003cbr\u003e\u003cbr\u003e\u003cb\u003e“Star Wars fans will be riveted… Kahn revisits notes and the final manuscript, sharing what he beefed up, what he wondered about, what he wishes he could have done differently, and what challenges he faced—like having to describe the climactic revelation of Darth Vader’s face without access to a production still.”  \u003c\/b\u003e\u003cbr\u003e- Editor's Pick, BookLife Reviews\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan\u003ehttps:\/\/www.bearmanormedia.\u003c\/span\u003e\u003cspan\u003ecom\/blogs\/news\/james-kahn-s-\u003c\/span\u003e\u003cspan\u003ejedi-memoir-q-a\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan\u003ehttps:\/\/skywalkingthroughneverland.com\/james-kahn-jedi-memoir-return-of-the-jedi\/\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan\u003ehttps:\/\/youtu.be\/Os9jy4B37go\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan\u003ehttps:\/\/entertainment.ha.com\/c\/search\/results.zx?dept=2182\u0026amp;mode=live\u0026amp;auction_name=7392\u0026amp;consignor_no=149\u0026amp;type=friend-consignorlive-notice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan\u003ehttps:\/\/booklife.com\/project\/my-jedi-memoir-a-double-life-101601\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan\u003ehttps:\/\/www.kirkusreviews.com\/book-reviews\/james-kahn\/my-jedi-memoir-a-double-life\/\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491817988355,"sku":"wqo1787292144705","price":17.4,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491818021123,"sku":"uan1787292144706","price":25.6,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491818053891,"sku":"evr1787292144707","price":6.16,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/my-jedi-memoir---a-double-life_1.jpg?v=1787292150"},{"product_id":"the-legendary-tugboat-captain-annie-brennan-of-puget-sound","title":"The Legendary Tugboat Captain Annie Brennan of Puget Sound","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eThe Legendary Tugboat Captain Annie Brennan of Puget Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Bernard A. Drew\u003ci\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e324 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003eTugboat Annie Brennan, irascible skipper of the \u003ci\u003eNarcissus\u003c\/i\u003e, largest vessel in the Deep-Sea Towing \u0026amp; Salvage fleet, is home-based in Secoma, Wash. She frequently outwits Captain Horatio Bullwinkle of the competing \u003ci\u003eSalamander\u003c\/i\u003e for assignments, The characters are imagined, the settings are sometimes real but often made up, growing from the fertile mind of author Norman Reilly Raine, who composed 67 short tales and novelettes for \u003ci\u003eThe Saturday Evening Post\u003c\/i\u003e, 1931-1961. He sold motion picture rights to Hollywood and secured a career as a screenwriter for MGM, Warner Brothers and other studios. He won an Academy Award for \u003ci\u003eThe Life of Emile Zola\u003c\/i\u003e screenplay in 1937. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003eThis book is a dual biography of author — with rich background of his World War I career in the ambulance corps in Europe and rise to become a \u003ci\u003eMaclean’s\u003c\/i\u003e journalist in Canada before wandering the Puget Sound area of Washington state to launch of his heroine — and of the helmswoman — detailing all the fiction stories, pastiches, movie scenarios, television plots and more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003eThe author, Bernard A. Drew, has researched and written more than 60 popular literature reference books and local Berkshire County, Massachusetts, local histories. His earlier book for Bear Manor Media is \u003ci\u003eJingle of the Silver Spurs: The Hopalong Cassidy Radio Program 1950-1952\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-ansi-language: EN-IN;\" lang=\"EN-IN\"\u003ehttps:\/\/www.seattletimes.com\/pacific-nw-magazine\/new-book-profiles-writer-and-heroine-of-first-seattle-made-movie\/\u003c\/span\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491818119427,"sku":"hta1787292145882","price":19.2,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491818152195,"sku":"hur1787292145883","price":26.4,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491818184963,"sku":"agt1787292145884","price":5.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/the-legendary-tugboat-captain-annie-brennan-of-puget-sound_1.jpg?v=1787292151"},{"product_id":"sherlock-holmes-at-universal-1942-1946-volume-2","title":"Sherlock Holmes at Universal (1942-1946) Volume 2","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cstrong\u003eSherlock Holmes at Universal (1942-1946) Volume 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003eby Scott Allen Nollen and Kris Allen Marentette\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e388 pages\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e6x9 size \u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cb\u003e\u003cspan style=\"font-variant: small-caps;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eSHERLOCK HOLMES at Universal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eMore than 40 years ago, American Scott Allen Nollen [aka \"Doctor Merrivale\"] and Canadian Kris Allen Marentette [aka \"Captain Simpson”] became fast friends after sharing their mutual admiration for the 60 Sherlock Holmes stories by Sir Arthur Conan Doyle and the classic series of 14 films starring Basil Rathbone and Nigel Bruce inspired by them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eAuthor of the critically acclaimed 1996 book \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eSir Arthur Conan Doyle\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eat the Cinema\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, Nollen hatched the idea for this new volume on Sherlock Holmes cinema by persuading Marentette to share with the world his unprecedented, comprehensive collection of rare, original Universal memorabilia from the studio’s 12-film Rathbone and Bruce series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eA preface by each Holmes aficionado opens \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eSir Arthur Conan Doyle’s SHERLOCK HOLMES at Universal (1942-1946)\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e, in which they recount their respective personal adventures in studying the films, collecting original photographs, posters, pressbooks, scripts, studio documents and artwork, and corresponding with, meeting and befriending many cast and crew members who worked on the series. Included are many reminiscences from Marentette’s close friends, John Abbott and Ian Wolfe, and Nollen’s close friend and literary collaborator, Michael A. Hoey (son of Dennis [\"Inspector Lestrade’’] Hoey). Even Sir Arthur Conan Doyle's daughter, Dame Jean Conan Doyle, made a contribution.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eA chapter on the two 20th Century-Fox films is followed by a separate chapter on each of the 12 Universal titles, featuring an illustrated history covering development, production and exhibition, as well as an exhaustive analysis, comparing the script with the finished product and identifying every minute representation of the original Conan Doyle stories. 600 images of rare Universal Sherlock Holmes memorabilia from the Marentette collection are included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003eNo matter how often a fervent fan has watched the Rathbone and Bruce series, Sir Arthur Conan Doyle's \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold;\"\u003eSHERLOCK HOLMES at Universal (1942-1946)\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; color: black; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;\"\u003e will prove that there is much more than first meets the eye in these perennially popular detective films. Using it as a guide will ensure that no one can accuse the reader of what the literary Holmes levels at Watson in \"A Scandal in Bohemia\": \"You see, but you do not observe!\"\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-IN; mso-fareast-language: EN-IN; mso-bidi-font-style: italic;\" lang=\"EN-IN\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003eAn interview with the author of our 2 new Sherlock Holmes books is available at \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\nhttps:\/\/www.artistfirst.com\/flashback.htm\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eScroll down to April 26, 2025 link.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":49491818250499,"sku":"qoh1787292148057","price":25.08,"currency_code":"USD","in_stock":true},{"title":"Hardback","offer_id":49491818283267,"sku":"xjy1787292148058","price":28.6,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":49491818316035,"sku":"zqs1787292148059","price":6.16,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/2202\/3427\/files\/sherlock-holmes-at-universal-1942-1946-volume-2_1.png?v=1787292154"}],"url":"https:\/\/trendpulseboutique.shop\/collections\/new-in.oembed?page=2","provider":"My Store","version":"1.0","type":"link"}